The idea that animals (male animals, that is) mark territories with urine streams is well established, particularly in the case of dogs, wolves, and other similar breeds. It seems that men too (notably adolescent boys) engage in some sort of marking practices when it comes to failure to flush urinals or toilets in public (and sometimes domestic) facilities.
A story by Haruki Murakami in a recent New Yorker magazine (Oct. 13, 2014; pg. 100+) depicts a teenage girl who uses a menstrual product as a way of marking territory as well. Murakami’s character is a middle-aged woman in a story titled “Scheherazade” who, in the course of a string of post-coital sharing moments, confides to the narrator a time in her adolescence when she was obsessed with a boy in her high school. Too shy to approach him personally, she would occasionally sneak into his home and peruse the contents of his bedroom. Eventually she stole several of his personal objects – a pencil, soccer insignia, sweaty tee shirt – and leaves something of her own hidden in the back of a drawer or under some old notebooks. In addition to a few strands of her hair, she hides the most personal object she can think of:
“Finally, I decided to leave a tampon behind. An unused one, of course, still in its plastic wrapper. . . . I hid it at the very back of the bottom drawer, where it would be difficult to find. That really turned me on. The fact that a tampon of mine was stashed away in his desk drawer. Maybe it was because I was so turned on that my period started almost immediately after that.”
When she returns to the house on several later trips she always checks to see that the tampon is still in place and delights that it has remained in the boy’s drawer. The tampon comes to be described as “a token” that represents her unrequited crush on the boy who is barely aware of her existence. Eventually she comes to associate her erotic attraction with her menstrual cycle, even thinking about the boy’s masturbation as being compared to her period, “All those sperm had to go somewhere, just as girls had to have periods.” Finally, the boy’s parents discover that someone has been invading their home and change the locks so that her trespasses are ended. But the story’s exploration of the erotic associations of menstrual details is fascinating and fairly rare.
Furthermore, the fact that this is a male author’s take on the topic probably makes it somewhat unreliable even though it claims to be told through the words of a woman’s reminiscences. Readers are invited to respond with mention of other stories that explore both the erotic and territorial marking potential of menstrual products and blood.
Given their first-hand awareness of the role it has played in their own lives, it is not surprising that women writers (and researchers) have included references to the menstrual cycle in their books. Even so, social taboos have probably tended to keep the subject from appearing as often as it might have otherwise and literary menstrual references have only come to the surface in the mid-twentieth century. The women appearing in the fiction of Bronte, Eliot, Alcott, du Maurier, and the other major women writers of the 19th century seem to be lacking a menstrual cycle regardless of how otherwise thoroughly detailed their lives were depicted.
Men too have been menstrual-averse. The cycle played no part though later male authors, notably William Faulkner, did include specific menstrual details if only to capture a male chart in the lives of the women in the novels of Hardy, Conrad, James, Dickens, Lawrence or Hawthorne, to name a representative few. Men seem to be “in avoidance,” if not “in denial” about the cycle’s presence. Even male writers such as Updike and Roth for all their frank depictions of sexual behavior have treated menstruation gingerly, in the case of Roth using it in two novels to express characters’ kinkiness.
The more permissive climate of the past 60 or 70 years not only saw the rise of a new generation of women writers, but a greater openness to the inclusion of menstrual material in their stories. Toni Morrison, Joyce Carol Oates, Anne Patchett, and Margaret Atwood, to name a few of the most noteworthy, have built entire scenes or even complete plot lines around menstrual tropes.
This is a subject rich in possibilities for a wide variety of investigations in literary studies, women’s and gender studies, communication and media, sociology, psychology, and even religious studies. With the exception of Dana Medoro’s path breaking book, The Bleeding of America, the subject is virtually untouched. Readers are urged to dig into this treasure trove of material.
So, the purpose of this blog post is to invite suggestions of literary sources that are fertile ground for cycle commentary. Help build the menstrual canon with mention of “sightings” that have come to your attention.
For those who have yet to see, the College Republican National Committee has a new advertisement out that is intended to reach women, particularly younger women, to lure their vote for several GOP governors. The advertisement is the same for several governor races, save for the name changes, and the one that is getting the most attention concerns the Florida race between Rick Scott (R) and Charlie Crist (D). The ad is a parody on the popular reality television show Say Yes to the Dress where women try on different wedding dresses and debate the merits of each until they find “the one.” In this case of “Say Yes to Rick Scott,” Brittany, an undecided voter, tries on the “Rick Scott dress” and immediately falls in love with his “new ideas that don’t break your budget.” But Brittany’s mother is not having any of that as she wants Brittany in the “Charlie Crist dress” that is “expensive and a little outdated.”
There are already several write-ups on the stereotypical nature of this advertisement—that it serves the same jaded discourse that all women care about weddings and dresses—and that there could have been a more intelligent way to reach Republican women. What is most interesting is Stephen Colbert’s response to this ad. In typical Colbert fashion, he hilariously rips apart the wedding dress metaphor and decides to contribute an ad of his own: Rick Scott versus Charlie Crist sanitary napkins.
Equating “that time of the month” with mid-term elections, one female in Colbert’s parody is supported by Rick Scott napkins in her “private sector” and is a happy and peppy woman while the other is still using Charlie Crist napkins. Take a look at the side-by-side comparison for the blue liquid that has come to serve as symbolic blood in many advertisements and the mockingly way it is poured on each candidate’s napkin.
What is so great about Colbert’s satire is that he is not only addressing the humor of the “Say Yes to Rick Scott” piece but he is also ridiculing the traditional napkin and tampon advertisements so prevalent on television. Are these the only ways to speak to women? Colbert thinks not and this segment is a testament to that.
Remember, vote for “The Best Candidate—Period!”
Without endorsing the sites, readers of re:Cycling might be interested/amused by this item from Lauren Braun at BioWink that was received recently by a member of the blog team:
Women Break The Taboo Around Menstruation By Sharing Hilarious Period Reminders
Menstrual cycles are still a taboo subject, and this discomfort with talking about them results in both misinformation and lack of information about menstrual health.
But earlier this week a tweet went viral when @pamwishbow customized her Clue period reminders, a new feature we launched last month. As of today, she had 348 retweets and 458 favorites.
We were so inspired by how Pam confidently owned her period in this public way that we decided to encourage other Clue users to share how they made the period reminders their own through customization. The uniqueness of the reminders seems to represent the uniqueness of each person’s cycle.
Sharing something that’s so personal helps break the stigma and open the door to more honest conversation. We’re proud to be part of this growing trend of empowering women with knowledge about their bodies, so that they can make the most informed decisions about their reproductive health. We’re asking women to #OwnYourCycle.
Here is our website: http://www.helloclue.com/
Guest Post by Jen Lewis
From inception to the present, my art project Beauty in Blood has been a positivity-fueled whirlwind. In the very early stages I shared my concept with just two people, my husband and one of my dearest feminist friends. The positive and open way in which they received the message behind my concept helped me flesh out my thoughts and forge ahead with the execution without concern for any potential nay-sayers. Based on my preliminary research into menstrual art, I expected to face hateful trolls every time I introduced a new person to my work but that hasn’t been the experience at all. In the real world, when I tell people about Beauty in Blood their faces typically brighten in response to the casual mention of such a taboo topic. In fact, at social gatherings it can actually take over an entire conversation; I’ve watched women have micro feminist revelations in front of my eyes when discussing the secrecy and silence around menstruation. If that’s not a testament to the power of art, I don’t know what is.
Don’t get me wrong, detractors cross my path but they are few, far between and significantly politer than the hateful trolls in the comments sections of online articles. Typical detractors suggest I alter my art in order to follow the “sanitary” path laid out by menstrual product manufacturers, i.e. “It would look better if the blood was blue; the red is so offensive and difficult to digest.” Or “You’d probably sell a lot more if the prints were black and white.” Or “The message is great but people don’t want to talk about this stuff; they’re not ready even if you are.” Overall, the latter does not represent my experience in the least. Men and women alike have expressed curiosity, support and encouragement to continue developing and growing the scope of Beauty in Blood.
As Jenny Lapekas discussed last month on re:Cycling, there are many, many menstrual art haters online with vile things to say about women and our bodies. However, there are also many women who will not be silenced or, is more likely the case, who will not hear the trolls. Just about any student who took a 20th Century American Art survey course can tell you that menstrual fluid, along with a wide variety of biological substances, are nothing new in modern art. Carolee Schneemann’s “Interior Scroll” and Judy Chicago’s “Red Flag” are often referenced in basic art survey texts as examples from the feminist art movement of the 1970s and 1980s. However, what I discovered when I started digging around the internet in search of “menstrual art” was that there are many women artists both from the past and presently working with menstrual fluid. Their visual art spans thematically from addressing political issues that pertain to women’s bodies to linking women’s bodies to natural earth cycles to simply creating something positive from an occurrence that is usually negative. Artist Vanessa Tiegs even coined a term for this art, Menstrala. The number of young women taking to livejournal.com and Tumblr to share their menstrual creations or DIY tips is as surprising as it is inspiring. Regardless of the haters and trolls, contemporary art made with and/or addressing the menstrual cycle are popping up across the globe. In Sweden, SMCR’s own Josefin Persdotter curated Period Pieces, a wildly successful travelling exhibit that features the work of 13 artists including Arvida Bystrom, Chloe Wise, and Petra Collins. In 2013, the Sunday Times Magazine introduced us to British artist Sarah Maple and her incredible oil painting “Menstruate with Pride”. In Australia, Casey Jenkins made headlines with her 28-day performance, “Casting Off My Womb,” where she knits one skein of wool that unravels from her vagina daily to mark a full menstrual cycle. Most recently, Egyptian feminist artist Aliaa Magda Elmahdy (photo NSFW) shocked the world by using her nude body and biological substances, her menses and excrement, to make an extreme political statement about the Islamic State of Iraq and Syria (ISIS). Trolls and haters be damned! Women have some things to say and there will be blood, lots of menstrual blood.
Every night Jon Stewart closes his DAILY SHOW with the sentence, “And now, your moment of Zen,” which is usually followed by a clip of some cable news program in which people say dopey or inane remarks. The purpose is to remind viewers of just how much stupidity is out there and the target is commonly self-inflated pundits on the FOX or CNN system.
Tuesday night, September 2, the clip consisted of a young woman reporting on a new line of underwear while holding up a pair of panties and saying, “Our underwear is actually functional; it’s fantastic for moms, and believe it or not it’s actually great for that time of the month. I bet you didn’t expect that.” A reaction shot includes a stuffy looking man who seems to hesitantly accept the fact that, since the show is about the “modern man” that means they’ll have to learn to tolerate “period talk” on TV news and consumer programs.
Is this a peculiar form of progress or just another adolescent period joke? Should we enjoy our moment of mockery of those up-tight men who are so-not-hip, unlike us Comedy Central fans? Or is the real joke on Jon Stewart and his producers for thinking that someone else making a casual period reference is something to poke fun at?
(Note: to watch the brief menstrual moment you will probably have to wade through an ad and a plug for the show itself.)