Blog of the Society for Menstrual Cycle Research

We’re back!

July 27th, 2011 by Elizabeth Kissling

Tap, tap.

Is this thing working? Is this thing on?

After some rest, reconnaissance, and re-organization, re:Cycling is back — bigger, bolder, and with more menstruation and women’s health news than ever. Most of our old team is back, along with a few new recruits and some exciting guest bloggers. There’ll be some new features here as well. More about all of that is coming soon. Our posting will be spotty and irregular throughout August, but expect to see a more consistent, regular flow after September 1. (Yeah, see what I did there? )

We’ve missed a lot of action in four months away. We can’t possibly summarize all of it, but here are some of my personal highlights:

 

July 19 – The Institute of Medicine (U.S.)  just released a report on preventive health services for women, and the consensus is that health plans under the Patient Protection and Affordable Care Act (ACA) of 2010 should cover contraception without demanding co-payments. You can read and/or download the full report here.

 

July 18 – Remember Summer’s Eve marketing disaster last summer? They still don’t get it. This year’s “Hail to the V” campaign may be saluting vaginas, but it’s still telling everyone vaginas are dirty.

As Maya put it over at Feministing.com,

That chatty hand claims to be my vagina but is clearly an impostor, because my vagina would never refer to herself as a “vertical smile,” knows better than to even mention vajazzaling to me, and is too busy complaining about how long it’s been since she’s gotten laid to give a damn about if my cleansing wash is PH-balanced. My vagina is not a whiny little pussy.

If you’re not offended enough, check out the stereotypes in the Black and Latina vaginas. For a satisfying satirical response, check out Stephen Colbert’s July 25 program.

 

July 13 – Bloggers at Ms. magazine have done yeoman work drawing attention to the sexism in the latest PSA from the milk industry, criticizing the sexism toward both women and men in the Milk Board’s stereotype-rich “Everything I Do Is Wrong” campaign about PMS. Ms. has also promoted Change.org’s petition protesting the campaign. Update: By July 24, the campaign had been pulled in response to protests.

2011 Ad for Always brand maxi padJuly 5 – As copyranter astutely notes, the use of a RED spot in the center of a maxi-pad to represent menstrual blood is an historic moment in advertising history. Are we finally done with the mysterious blue fluid? (By the way, copyranter is THE source for smart, snarky analysis of advertising;  he oughta know — his day job is writing the stuff.)

 

June 20 – Corporate and subsidized donations of disposable menstrual pads may be good for girls, but not so good for the environment.

 

June 2 – British artist Tracey Emin  art student at University of Wisconsin, follows in Judy Chicago’s inspirational footsteps and turns her tampons into art.

 

What else have we missed? Add your links in the comments, and don’t be shy about sending us suggestions!

 

 

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Menstruation as Modern Art?

February 18th, 2011 by Chris Hitchcock

There’s an article in the Guardian describing Hiromi Ozaki’s upcoming art installation, simulating menstruation for those who lack the first hand experience. Interesting, as we previously discussed here at re:Cycling.

It’s unfortunate that artist’s rationale is framed along the lines of Is menstruation obsolete?, that is, taking the pill is normal, bleeding on the pill is optional, soon no one will be menstruating, and that’s probably a good thing and a positive cultural change. With a bit of nostalgia for those old-fashioned bleeding experiences, and their cultural significance.

As a female designer I had one big problem I wanted to solve. “It’s 2010, so why are humans still menstruating?”

The pill free, bleeding interval was devised when the contraceptive pill first came out, only because it was felt by doctors that women would find having no periods too unacceptable (Since 1960s, taking the pill continuously could have removed periods all together!) The doctors may think that women are attached to their periods, but only humans, apes and bats out of all mammals need to bleed monthly for their reproductive cycle. What does Menstruation mean to humans? Who might choose to have it, and how might they have it?

Still, it’s interesting to see mainstream media asking questions about what menstruation means when it is no longer a biological necessity, but rather a choice.

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Marked for Life

February 9th, 2011 by Elizabeth Kissling

CarewNorwegian athlete John Carew just revealed his new tattoo, which features wings and the phrase ‘Ma Vie, Mes Régles’. Apparently Mr. Carew believed that reads “My Life, My Rules”, but with an acute accent (é) instead of a grave accent (è), the actual translation is either ‘My Life, My Period’ or ‘My Life, My Menstruation’.

That’s frankly awesome.


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The Menstruation Machine

June 30th, 2010 by Elizabeth Kissling
Hiromi Ozaki's Menstruation Machine

Hiromi Ozaki's Menstruation Machine

Researcher and artist Hiromi Ozaki has created the Menstruation Machine, an art installation featuring an appliance for men or boys (or other people who do not menstruate) to wear to simulate the menstrual experience. It features electrodes attached to the lower abdomen to simulate cramps and a blood-dispensing mechanism that deposits simulated menstrual fluid between the wearer’s legs.

The device is reminiscent of the Empathy Belly® pregnancy simulator, although it is being greeted with much more snark and misogyny. The blogger at Gizmodo is certain he’ll never try it (just skip the comments), and the DC Caller says, “This may appeal to the crowd of women who pull the ‘you don’t understand how I feel’ card once a month to their significant other.”

But the Menstruation Machine is an art project, and the Empathy Belly® is a real product, retailing for $649. It’s intended to be provocative, rather than profitable. Suddenly I’m reminded of the time my college boyfriend told me he wanted to dress as a woman for Halloween. I sneered and told him if he thought its was funny to dress like a woman, he should wear a tampon.

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50 years of The Pill

May 9th, 2010 by Chris Hitchcock

Today’s the day, ironically enough on Mother’s day, that marks half a century since the FDA approved the pill for contraceptive use in the USA. And, for better or for worse, it’s become part of the fabric of our culture, and allowed women to have both family and a career by providing reliable family planning. Although, as many have commented, the pill may get more credit than it deserves, it serves as a powerful symbol of women’s liberation and sexual freedom.

Recently, in the Vancouver Art Gallery, I learned that, around this time, feminist painters were bringing the body back into art, challenging the largely male trends of abstractionism. Ironically, at the same time, feminist psychologists were working to remove the body from the psychology of women, challenging the prevailing wisdom that the narrative of woman is the narrative of her womb, and that when it ceases to be productive, so does she. How does the pill, with its chemical silencing of women’s reproductive endocrinology, fit with this interplay between owning and disowning our female bodies? And how can we own our bodies without allowing them to be our only defining features?

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What’s Menstruation Got to Do with It?

March 3rd, 2010 by Chris Bobel

vday in london

Tina Turner didn’t sing THOSE lyrics, but what if?

Those that follow re:Cycling may recall-with a grin and a cringe–how Ingrid Berthon-Moine’s portraits of women wearing their menstrual blood as lipstick sent many Guardian and Salon Broadsheet readers to the “icky” place, where unexamined assumptions run amok.

Plenty of folks readily expressed their disgust at the idea of menstrual blood on display (ack!!!on the mouth??)  but few were willing to dig into WHY this disgusted them and how that disgust hurts women and girls…..if they dared to really look first, at those blood-smeared lips, and then,  at themselves.

Moine’s models, silent and unblinking, issue a challenge. When we meet their gaze and contemplate their deep red mouths, we are forced to look back at ourselves, and at each other.

Why is  there a menstrual taboo, anyway? And who and what does it serve? There must be an awful lot at stake when people work so hard to keep it alive.

This week Moine is exhibiting her work in London. Placing her portraits in the context of a V-Day show makes explicit the connections between the denigration of women’s bodies and violence against women and girls.

Sexism and misogyny shape cultural attitudes about women’s bodies and women’s lives, rendering them deficient, at best, and repulsive, at worst. This sets the stage for abuse, for the “justification” of power and control over women and girls and all things feminine.

Let’s not let that connection go unnoticed while we look away from the  “icky,”   especially then.

The menstrual taboo is rooted in a negative and dysfunctional view of women’s bodies and experiences, an artifact of sexism, as old as sexism itself.   Challenging the taboo says NO to disrespecting women and moves us one step closer to ending violence against women.  That’s the power of work like Moine’s.

That’s what menstruation has to do with it. Sing it with me.

____________

If you are in London, check it out:

V Day London Presents an exhibition of work by female artists: Emli Bendixen, Ingrid Berthon-Moine, Alicia Clarke, Cordelia Donohoe, Maria Pia Jamie, Heather Joy Riggs and Vicky Scott.

Opening Friday the 5th of March 6.30 – 8.30 The show will run from the 5th to 20th of March   At : New Player Theatre 10 The Arches
Villiers St, London WC2N 6NG
020 7930 5868

The exhibition is a response to International Women’s Day 2010. V-Day London is part of the global V-Day movement to end violence against women and girls. For more information visit http://v-daylondon.blogspot.com/ Five percent of the sale prices from the artworks will be donated to V-Day women’s charities.


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Vagina Vérité

March 3rd, 2010 by Elizabeth Kissling

Vagina Vérité logoArtist (and friend of re:Cycling) Alexandra Jacoby is working on a project for women called Vagina Vérité®. She’s making vulva portraits, proud and unabashed, straight-up documentary photographs-so that we can see ourselves for ourselves. The project began as a response to a friend who “didn’t like the way her vagina looked”. Alexandra wanted her friend to know that there was no one right way to look, and it became something of a mission for her to create a document of respect and appreciation for our vaginas, our vulvas, our bodies, ourselves… Alexandra’s been working on vagina vérité® since 2000, and is looking for our help toward completing photography. From there, she plans to publish a book of v-portraits & to exhibit widely. You can learn more about the project and how we can help here [pdf].

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Scenes from Vulvagraphics

February 9th, 2010 by Elizabeth Kissling


If you’ve been with us for a while, you may recall that last fall our friend and colleague Alexandra Jacoby participated in Vulvagraphics: An Intervention in Honor of Female Genital Diversity, sponsored by the New View Campaign challenging the medicalization of sex. For the benefit of those of us unable to get to New York for this event, there is now video available of some of the exhibits and speakers.

[via The Red Tent Sisters]

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In Search of the “Normal” Vagina….

October 19th, 2009 by Chris Bobel

Guest Post by Alexandra Jacoby, independent artist

VulvagraphicsSince September 2000, I’ve been capturing a glimpse of women’s most private selves. So private that most women have not seen their own, much less others. I’ve been making vagina portraits. They are close-up, documentary-style photographs of our vulvas—the elusive faces of our vaginas in plain view—so we can see ourselves for ourselves.

The project began when a friend of mine asked me if I liked the way my vagina looked. Apropos nothing: did I like the way my vagina looked? As I answered, I realized that I had never really taken a good look at it, and that other than a bit of porn, I hadn’t actually seen any other women’s vaginas.

I was pretty sure that they were all different, but had nothing to point to when talking with my friend, who clearly thought there was something wrong with how hers looked.

It struck me that there should be a book, a visual reference for women—of actual women. And, so began vagina vérité®—an unabashed exploration of the plain, ordinary, mysterious matter of our vaginas.

I’ve photographed 90 v-portraits so far—each beautiful and strikingly unique!

Before vagina vérité®, I hadn’t noticed how unusual it was for women to talk about our body-experiences. Not-talking was normal to me. In my experience, this silence, and the shame that underlies it, continues to be the norm. When I bring up the subject, and I often do, I am almost always met with surprise and discomfort.

In this space of not-talking, misinformation moves in, like my friend’s belief that her vulva was supposed to look a certain way.

I’d like to see this change.

I’d like us to talk about our body-experiences, and to have access to accurate information, images, and each other’s stories. I’d like to hear what you think, and about your experiences of your body. Mostly, I’d like this conversation to be normal. And, for that, I take action!

If you’re in the NYC-area, please join us at Vulvagraphics: an Intervention in Honor of Genital Diversity OCT 24-25, at The Change You Want To See gallery, 84 Havemeyer Street, Brooklyn, NY 11211.

It’s a space for conversation, organized by the New View Campaign, where you’ll experience vulva-celebrating art and crafts, including a preview of vagina vérité®. On Sunday, there’s a brunch salon. Check out the website for more details. Read the press release. I am VERY excited to be participating in Vulvagraphics! Come by and say hello. I look forward to talking with you!

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Blood on Screen: The most popular title for menstrual artwork is…

October 14th, 2009 by Giovanna Chesler

A Period Piece

The third film in the Blood on Screen series is Camille Holder Brown’s award winning A Period Piece (2005). I know of at least two other films and one sculptural artwork that use this title. Yet despite the ubiquitous pun, each work has an equally clever take on the cycle (other Period Piece films include a music video by Zeinabu Irene Davis (1991), a documentary by Jennifer Frame and Jay Rosenblatt (1995,) and this installation by LaThoriel Badenhausen which was presented at the SMCR Conference in 2009.)

Camille Holder-Brown’s piece of the cycle is a fictional film portraying the awkward experiences of Sionne, a girl about to begin menstruating. From her earthy sex-ed teacher who gushes about the beauty of the cycle, to her friends and classmates at different stages of menstrual acceptance, to her mother who warmly and carefully introduces her to menstruation, A Period Piece is filled with menses-positive imagery. But Sionne’s overriding fear and her association of menstruation with shame clouds most of the film.

While this negative menstrual imagery may be viewed as harmful to educating girls about the cycle, I see this film as realistic. Though we’d like to believe that all girls are open to seeing their periods and their bodies as positive and beautiful, this is far from the case (see years of Carol Gilligan’s work if you need a refresher on this fact.) A Period Piece greets many girls where they are at and it can work to begin a conversation with a young girl who is unable to open up to a well-meaning elder. Please contact production company Cinemomma directly for your copy and watch the trailer here: http://www.cinemomma.com/

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Readers should note that statements published in re: Cycling are those of individual authors and do not necessarily reflect the positions of the Society as a whole.