Blog of the Society for Menstrual Cycle Research

A doc about birth control, #LiveTweetYourPeriod, and other 4th of July weekend links

July 4th, 2015 by Laura Wershler
  • It’s old news that men find women’s faces more attractive when they are fertile, but the facial cues to explain this have eluded researchers. A new study from the University of Cambridge, as reported in the Science Daily, shows that women’s face skin gets redder at the point of peak fertility. However, as this change in face redness is too subtle for the human eye to detect, skin colouration has been ruled out as the reason for this “attractiveness effect.” Dr. Hannah Rowland, who co-led the study, said, “Women don’t advertise ovulation, but they do seem to leak information about it, as studies have shown they are seen as more attractive by men when ovulating.” The mystery continues.

When Elynn Walter walks into a room of officials from global health organizations and governments, this is how she likes to get their attention:

“I’ll say, ‘OK, everyone stand up and yell the word blood!’ or say, ‘Half of the people in the world have their period!’ ”

It’s her way of getting people talking about a topic that a lot of people, well, aren’t comfortable talking about: menstrual hygiene.

Ms. July – Menstruation Pin-Up

July 1st, 2015 by Jen Lewis

Guest Post by Jen Lewis

Beauty in Blood Presents
Ms. July: Truth & Perception
Year: 2015
Menstrual Designer: Jen Lewis
Photographer: Rob Lewis

“Widening the Cycle” Featured Artists & Panel Speakers: Alvarez, Boros, Goldbloom Bloch, Kyle & Madeline

June 3rd, 2015 by Jen Lewis

“Cup of Flow 2″ by Diana Alvarez

Diana Alvarez

I believe my project fulfills the call for art because I use menstrual fluid as the primary source for the art and encouraged participants to confront their discomforts with menstruation. Empowerment was my main goal with the art, both for myself and for menstruators as a whole. The project was called “Cup of Flow” and involved my inviting a group of women over to my home to watch me interact with my menstrual blood and my menstrual cup. I interacted with the blood in a hands-on way that involved touching it, smelling it, wearing it as lipstick, and tasting it. My goal was to push the boundaries of what most of the attendees had probably experienced before. I also used a speculum to allow the attendees to watch me menstruate directly from the cervix, the source. I had accumulated some menstrual blood in a mason jar prior to the event that had coagulated and allowed for the guests to pass it around and examine it. The menstrual cup was an important element because we took the conversation into a broader spectrum of environmentalism. Everyone was allowed to take pictures and post to social media using the hashtag (#cupofflow). The images were flagged by Facebook users as “obscene,” but when threatened to have them removed we launched a formal complaint asking Facebook to reconsider by explaining that menstrual blood is natural and not trauma induced. The pictures ultimately remained posted to the website. In the revolution there will be blood!

 

“Niddah: The Curses” by Gabriella Boros

Gabriella Boros

Niddah: The topic of female victimaztion has been covered in the news with alarming frequency in the past year. This provoked me to turn to my own religious roots and learn about the Judaic tradition of Niddah, the14 day separation of women during and after menstruation. In traditional homes, women cannot have contact with their husbands nor participate in religious observation during Niddah. In this project, I project both the negativity that is inherent in the Talmudic view of women’s cycles as well as my own ambivalence to the bodily process.

Niddah: Seven Days: Over the course of seven panels an overprinted image emerges both reaching out and inaccessible. The last print shows a complete hand in black against a watery background, a visual reference to the tradition of ritual immersion that marks the completion of Niddah.

The Women Series: I reflect on how traditional women experience societal exclusion during their periods. The ghostlike images roughly flesh out each woman’s shape, their presence described by their absence. I gave these women a strong stance, unafraid and proud, yet their isolation is undeniable. Whether the isolation is societal or self-imposed it is unclear.

The Curses: These embroidered depictions show some of the physical manifestations of menstruants. The banners refer to a family coat of arms which displays negative sideffects with the pride that one hangs a family crest. At the bottom of every banner are bdikah cloths painted with abstractions. These are used by Jewish women to check for purity in the seven days following menses.

“Feminine Protection” by Ingrid Goldbloom Bloch

Ingrid Goldbloom Bloch

I love hardware stores. As a little girl, I would accompany my father on his errands and get lost in the aisles imagining all the things I could make from the bits and pieces I came across. Since that time, hardware stores have been the inspiration for many of the mixed-media sculptures I create. I see the beauty in common objects. Each bit and piece is a mini-sculpture to me. The shape of each singular object, the texture and the transformation of grouping small bits into a larger whole is what drives my art. By using everyday items and transforming them into something entirely different from their intended purpose, I try to draw the viewer in to take a closer look at materials and objects that ordinarily go unnoticed.

“Imbibe” by Lucy Madeline

 

Lucy Madeline

At the root of all my work is a fundamental belief in the power of image and an understanding of the body as the primary site of knowing the world. I see images and image making as a practice in magic as much as theory: I have found that by simply re-appropriating the female form through my work, I am able to simultaneously re-appropriate the female experience. I take back both personal cultural space through the making of alternative images of the abstract and literal female figure.

Menstrual management for women with disabilities, menstrual hygiene taboos, and menstrual cycle awareness

May 28th, 2015 by Laura Wershler

These two concurrent sessions address the menstrual-related challenges of women with disabilities, menstrual hygiene taboos and practices around the world,  and the concept of gynaecological self-help at the 21st Biennial Conference of the Society for Menstrual Cycle Research at The Center for Women’s Health and Human Rights, June 4-6, 2015, Suffolk University, Boston.

 

Menstrual Management, Friday, June 5th:

Women with Spinal Cord Injuries Talk about Menopause
Heather Dillaway, Wayne State University

Using data from interviews with 20 women with spinal cord injury, I illustrate how disabled women may think about and experience menopause. Overall, interviewees think positively about menopause as a release from the hassles of menstruation, but face unique experiences when dealing with perimenopausal symptoms. I also discuss their concerns about aging.

“Kahani Her Mahine Ki” – A Menstruation Kit for the visually impaired women
Sadhvi Thukral, National Institute of Design

“I am constantly worried that my dress will stain during my period, I cannot see.”

“I will never be able to tell the colour of my discharge during menstruation or when I need to change my cloth. To be safe, I change every few hours.”

These are unique anxieties of visually impaired young women.

A large gap exists in the area of “Communication for Menstruation” for the visually impaired. This design degree project was an attempt to fill this gap by developing a product for menstruation that would meet the needs of visually impaired girls and women.

The kit “Kahani Her Mahine Ki” (The Same Story Every Month) covers the subject of menstruation and how to manage during periods and has the following features:

1. Tactile diagrams and material in the form of Information Slates, with labels of the different body parts. Each slate has text for the sighted and Braille for the visually impaired. 2. A life size human body model for demonstration.

What they do, what we do, what I do: A critical review of five contemporary international surveys of menstrual management practices and technologies. How can these surveys inform Western practice? What areas remain to be surveyed?
Susannah Clemence, Independent researcher

This critical review compares the catalogues of contemporary menstrual management techniques from around the World, presented in Sommer et al (2013), House et al (2012), Kjellen et al (2012), Bharadwai and Patkar (2004) and Finley’s (1995-2015) Museum of Menstruation.

The purpose is to test how well-documented are contemporary practices across the World, and what areas remain yet unrecorded. The rationale is that diverse technologies and conduct, with their implicit beliefs and attitudes, grant us reference points from which to examine, critique and improve our own practices.

The review shows that there are large gaps in documented knowledge. Furthermore, other than the Museum of Menstruation, existing surveys tend to be rooted in development agendas of Western origin and tend to a deficit perspective of non-Western practices.

 

Menstrual Hygiene, Saturday, June 6th

A Vicious Cycle of Silence: The perpetuation of the menstrual hygiene ‘taboo’ and the implications for the realisation of the human rights of women and girls
Emily Wilson-Smith, Kampala International University & Robyn Boosey, University of Bristol 

Despite the impact of poor menstrual hygiene on the rights of women and girls it has remained largely neglected by International stakeholders. A document analysis of the core international human rights treaties and relevant human rights body reports found an overwhelming silence and an analysis of the existing references revealed an inadequate framework for addressing menstrual hygiene.

Improving Menstrual Health and Hygiene in India: Another critical path way for women emancipation
K Yadagiri, Centre for Economic and Social Studies,UNICEF Division for Child Studies 

Gynecological Self-Help Isn’t Just a Good Feeling – What we learned when we systematically studied our own menstrual cycles – and how you can learn MORE now!
Kathy Hodge, Feminist Women’s Health Center

In 1975, nine members of the Feminist Women’s Health Center collective met daily for over a month, recording changes in our vaginas and cervixes and their secretions, for PAP and ferning smears, charting moods and basal body temperature. We raised questions, some of which remain open and ripe for future woman-controlled research.

 Menstrual Hygiene Management practices in Slums: It’s impacts on the Women and Adolescent Girl’s Health – A Case study of Greater Hyderabad Municipal Corporation Slums, Telangana State, INDIA
Venu Madhav Sharma, Centre for Economic and Social Studies

Media Release and Registration for the SMCR Boston Conference on Menstrual Health and Reproductive Justice: Human Rights Across the Lifespan.

“Widening the Cycle” Featured Artists: Erdem, Lewis, Paul & Weigel

May 27th, 2015 by Jen Lewis

“Forbidden” by Derya Erdem

Derya Erdem

My work takes a critical view of societal, political and cultural issues,  focusing on identity, gender binary and the human mind. Reflecting the emotional dimensions of personal memories, collected histories, and cultural myths, I constantly search for new possibilities, thriving on chance outcomes and the connections (physical and virtual) that link nature and the overlooked realities of our lives. As an artist concerned with real life stories, I am affected by those with untold, sometimes overwhelming, hidden perspectives.

These themes are often combined into experimental installations, employing different techniques which include: video, sound, photography, installation and site specific art. I am a curious artist using diverse exploratory technics, all of which I self produce.

Inspired by repetitive dreams and underpinned by memories , driven by my understanding of the female conditions and the manifestation of injustice in patriarchy, the issues of woman’s social and sexual conditioning have all formed the foundation of my current work.

Surreal quality images, revealing glimpses of potential possibilities, what latently exists in nature, suggesting different views of our external world, inviting the viewer to move into a space of speculation.

 

“The Crimson Wave” by Jen Lewis

Jen Lewis

If I have learned anything over the last two years of producing Beauty in Blood, it is that menstruation matters more than most people in society are willing to recognize; it is deeply embedded in our global body politics and is a major contributor to the vast gender inequity between men and women today. Institutionalized hierarchies maintain and support the outdated patriarchal belief that menstruation makes the female body inferior to the male body. Billions of dollars are spent annually trying to make women’s bodies conform to male “norms” by suppressing the natural menstrual cycle through hormonal birth control. The feminine “hygiene” industry perpetuates taboo thinking by suggesting the monthly cycle is dirty and socially impolite; it should be concealed in frilly pink wrappers like candy and only very loosely referenced with blue liquid in product commercials. In my experience, women and men are hungry for an authentic dialogue about menstruation and all that encompasses. It is clear the time is now to stand up and speak out on behalf of menstruation. It is a natural, messy but beautiful part of life. Just because it is not a shared experience doesn’t mean it needs to be a divisive topic that aids in gender inequity. Beauty in Blood asserts that menstruation needs to be seen to help normalize the female body and to acknowledge this part of the female experience by inviting the viewer to take a closer look and reflect on their personal gut reactions to the subject of “menstruation.”

 

“Hidden Abject” by Petra Paul

Petra Paul

Menstruarte – Showing the Abjection

As feminist I’m concerned primarily with woman as a theme, or the showing of the ways women are discriminated against in this patriarchal society. Menstruation is a stigmatic condition (Erving Goffman). Women are regarded as of lesser value, as the Other (Simone de Beauvoir). I’m concerned with showing this mechanism and at the same time with undermining it.

By using menstrual blood in my informel and monochrome work, I draw attention to the negative taboo and publicly show something that is usually kept secret – everything is done to make the time of menstruation as invisible as possible. Cleanliness and discretion are foremost. The leaking women were seen as unclean, and the unpure blood contrasted with the masculine, healing blood of Christ. So I called a serie of menstruation pictures „That’s the blood I’ve spilled for you”, the other simply “Menstruarte”. “Hidden Abject” shows blood through a small cut in the canvas. I try first through the completed abstract structure of the menstrual blood to make the viewer aware of the theme, and second, I use the aesthetic work to reverse the negative value. Menstrual blood is abject: “Not me. Not that. But not nothing, either” (Julia Kristeva).

 

“The Party” by Jennifer Weigel

Jennifer Weigel

I first began creating artworks incorporating menstrual fluid in 2005, pressing my menstrual vagina to watercolor paper each morning to make a series of monoprints.  My purpose in producing and exhibiting these works was to confront the taboo associated with menstruation, demystify this natural function of the female body, and promote thought-provoking discussion among women & men, artists & non-artists alike.

After exhibiting these pieces, I curated a St. Louis based exhibition, entitled Life Blood Exhibit, which traveled throughout the city and to Cape Girardeau, MO from 2011 – 2012.  I have also continued to explore female reproductive health, with artworks themed around celebrating women’s bodies to addressing health concerns (my own and others’) to the political and social arena (abortion, birth control, the confiscation of tampons at a July 2013 Texas legislative meeting…).

Culture, menstrual narratives, and the messy politics of reproductive freedom

May 23rd, 2015 by Laura Wershler

Two workshops explore the menstrual health/awareness and reproductive justice connection on Saturday, June 6th at  at the 21st Biennial Conference of the Society for Menstrual Cycle Research at The Center for Women’s Health and Human Rights, June 4-6, 2015, Suffolk University, Boston.

POLITICS IS A MESSY BUSINESS: Menstrual Health, Reproductive Health Advocacy, Human Rights and Justice
Sharon L. Powell, Artist and Educator, S L Powell Public Affairs Services

Original image by Sharon L. Powell

Menstruation is part of the spectrum of reproductive health. Menstruation and menstrual cycle discourse takes up space as marker in the health and identity of female bodied individuals as well as in constructions of fertility. As such, it is on a reproductive health advocacy agenda. Menstrual health and menstrual health education are cornerstones of a reproductive health advocacy framework. Human rights and social justice movements concerned with self determination, health, human dignity, privacy, and bodily integrity, should pay political attention to menstrual health’s crucial and complicated place in an interdependent web of reproductive health concerns.

Social and chemical control of fertility is specifically connected to the hormones associated with the menstrual cycle. Menstrual shame. Hysteria. Sexualization. Contraceptive and other reproductive technologies. How does one truly consent to the use of reproductive innovations like hormonal birth control if they do not understand the hormonal patterns they are born with or acquire? Reproductive justice groups and reproductive health advocates must look at issues of self determination with an intersectional lens, acknowledging female bodied individuals’s multiplicity. It is important to explore and create opportunities for female bodied individuals to learn more about their bodies, not just lobby for abstract concepts of reproductive freedom.

Twenty years ago, I presented a paper at the Society’s conference in Montreal, Canada called “Better Dead Than Pregnant: Trends in Contraception – A Case for Menstruation Education.” Connecting my critiques of trends in non-user/”woman” controlled methods of contraception with myths of inconvenience regarding menstruation and convenience regarding methods of contraception, I made connections to the messy politics of reproductive freedom, the differences in the experiences for women of color, women with disabilities, and poor women with this focus on menstruation and the menstrual cycle. My contention that women from these communities were “better dead than pregnant” was picked up by other reproductive rights activists (such as Andrea Smith in her book Conquest). Subsequently, Malcolm Gladwell’s article, “John Rock’s Error, ” detailed how a myth of inconvenience regarding menstruation may have played a role in the development of the oral contraceptive pill.

Our Bodies, Our Stories: Celebrating the Menstrual Narratives of Womanhood
Deborah Dauda, LEPA & Kirthi Jayakumar, Red Elephant Fund

This workshop will look at culture and menstruation by sharing stories and testimonies of women from all over the world and the impact of open conversations in creating comfortable spaces for women to celebrate their womanhood through menstruation. In addition, we will welcome participants to share their own testimonies and stories, along with a session on simple “what-if” scenarios to encourage community conduct and resource sharing.

Media Release and Registration for the SMCR Boston Conference on Menstrual Health and Reproductive Justice: Human Rights Across the Lifespan.

“Widening the Cycle” Featured Artist Trio: Falzone, Marie & Rehavia

May 20th, 2015 by Jen Lewis

“Threaded Together” by Johanna Falzone

Johanna Falzone

Threaded Together is a Site-Specific Installation work previously on view at a Howard Johnson Motel. This work symbolizes how all women have a common thread, being through menstruation. Each pad and tampon is stitched differently to show how each woman may feel about this cycle. Images range from loving, reproductive, to squiggle blobs interpreting these impressions on what menstruation symbolizes. The installation was placed with the toilet because this is where women go to change tampons and pads. The toilet is also where fortunate or unfortunate reproductive events may take place such as miscarriage or using a pregnancy test. No matter how a woman feels about reproduction, this is a cycle women all have in common. It is why women must empathize with one another and also celebrate despite what one’s personal beliefs may be.

 

 

“Death of Fertility” by Elaine Marie

Elaine Marie

Death of Fertility is part of the Talitha Cumi series. This painting is about menopause and the end of procreation. The woman in this painting ponders her reproductive years. The fertility doll, anthurium flower, stagnant water, Sande statue, and grass skirt provide clues to the hidden messages in the painting. The fertility doll represents the years I spent battling infertility prior to the birth of my son. The anthurium flower blooms in Hawaii where I lived immediately after my marriage. It represents the birth of my first born. The stagnant red water represents menopause. The African statues on the left are from the Sande Society. The Sande Society promotes women’s’ political and social status and solidarity. Inspired by Surrealist and Symbolist art, the painting is infused with other symbols the viewer must interpret and discover.

 

“Cutting” by Dafna Rehavia

 

Dafna Rehavia

I am an Israeli-born artist and art-therapist, living in Pittsburgh PA, US.

My work is informed by a critical, feminist, and multicultural approach.  I deal with themes that are related to survivalidentity and healing, and their complex relationship to women’s experience. Through my art work Cutting I challenge the objectified and dehumanized phenomenon of Female Genital Mutilation that is still practiced in various cultures which respond to authoritative discourse. It is through the artistic object that I would like to bring recognition, awareness and visibility to what is a fundamental violation of womens’ bodies and rights. The use of art exposes the viewer to what is so hard to face and tolerate.  This body of works is made of molding clay that was kneaded, shaped, pocked, cut and stitched with dry leaves and strings and stained in reddish-brown tint.

 

 

 

For more information, visit www.wideningthecycle.com. For questions, please email the curator and exhibit planner, Jen Lewis, at info [at] wideningthecycle [dot] com.

Menstrual Hygiene, Human Rights, and Gender Equality – A Focus on the Global South

May 18th, 2015 by Laura Wershler

Scholars and practitioners from the fields of human rights and water and sanitation will discuss menstrual hygiene from the perspective of gender equality on June 4th at the  21st Biennial Conference of the Society for Menstrual Cycle Research at The Center for Women’s Health and Human Rights, June 4-6, 2015, Suffolk University, Boston.

Human Rights in the Private Sphere: Menstrual Hygiene as a Priority for Gender Equality and Human Dignity
Inga Winkler, Scholar-in-residence, Center for Human Rights & Global Justice, NYU School of Law 

In many countries, menstruation is shrouded in taboo and secrecy. Removing the taboos and ensuring better access to menstrual hygiene is essential for achieving gender equality and realizing human rights. The presentation seeks to explore human rights obligations to create an enabling environment for women and girls to practice adequate menstrual hygiene. It discusses various strategies including awareness-raising and breaking taboos, promoting good hygiene, and embedding menstrual hygiene in policies and programs by using examples from different country contexts. With a topic as personal and culturally specific as menstruation, incorporating women’s and girls’ views and preferences into programs and policies cannot be overestimated.

Poor menstrual hygiene, stigmatization, or cultural, social or religious practices that limit menstruating women’s and girls’ capacity to work, to get an education, or to engage in society must be eradicated. Considering menstruation as a fact of life and integrating this view at all levels will contribute to enabling women and girls to manage their menstruation adequately, without shame and embarrassment—with dignity.

Investigate and Expose: Challenges in Building an Evidence Base around Menstrual Hygiene as a Human Rights Issue
Amanda Klasing, Researcher, Human Rights Watch

Menstrual hygiene has emerged recently as a human rights issue, but this recognition alone does not mean that human rights practitioners will take up the issue. One barrier is the perceived or real limitations in their methodology.

This paper considers how human rights fact-finding methods may not readily lend themselves to building the evidence base for menstrual hygiene as a human rights concern. It will explore examples of how, despite challenges, menstrual hygiene concerns can be exposed within the context of broader investigations and it will address how practitioners can more deliberately incorporate menstrual hygiene in their investigations.

An important first step is for researchers to recognize the impact of menstrual hygiene on a broad array of women’s and girls’ human rights. Next, researchers should consider how best to expose this in the course of their research. Finally, researchers should consider how to include menstrual hygiene in the recommendations it makes to governments and other duty bearers.

Menstrual Hygiene Management in Schools: Meeting Girls’ Rights and Needs in Zambia
Sarah Fry, Hygiene and School WASH Advisor, USAID WASHplus Project

Image by Sarah Fry

Zambia’s schools fall short of acceptable standards and ratios for access to safe drinking water and improved sanitation. The ratio of girls to toilet can be as high as 200:1. These shortfalls are believed to be factor in the high rate of school drop-out among girls, many of whom do not even finish primary school. As in other low-income contexts, dropout rates for girls in Zambia appear to increase after puberty. Menstrual hygiene management (MHM) is burdened with cultural taboo and myths. Girls are still excluded from school for as long as one month at their first menses.

USAID/SPLASH in Zambia address girls’ right to education by removing barriers to menstrual hygiene management in schools. SPLASH and the Ministry of Education research cultural norms, improve girl-friendly facilities and access to menstrual products, break taboos, and integrate MHM in the education system through water, sanitation and hygiene in schools

Menstruation is still a sensitive topic, but experience in Zambia has shown that taboos can break down rapidly and MHM can become a normal part of discourse around girls’ rights at local and policy levels.

 

Media Release and Registration for the SMCR Boston Conference.

 

Menstrual education and hygiene management initiatives seek collaborators

May 15th, 2015 by Laura Wershler

 Two experiential workshops on Friday, June 5th, invite participants to collaborate in menstrual health initiatives at the 21st Biennial Conference of the Society for Menstrual Cycle Research at The Center for Women’s Health and Human Rights, June 4-6, 2015, Suffolk University, Boston. With one in the morning and one in the afternoon, you can take in both!

Menstruation Matters: Period! – A Public Education Campaign Whose Time Has Not Yet Come
Presenters:
Heather Guidone – Director, Center for Endometriosis Care; Medical Writer; Women’s Health Educator
Diana Karczmarczyk, PhD – Adjunct Professor, George Mason University and Senior Analyst, Association of State and Territorial Health Officials
Evelina Sterling, PhD—Visiting Professor, Kennesaw State University and Public Health Consultant, Southern Research and Evaluation Institute
Peggy Stubbs, PhD— Professor, Chatham University

How might menstrual arts and crafts be included in menstrual cycle education campaigns?
Photo by Laura Wershler

 

 

 

As menstrual cycle educators and advocates, we know all too well the frustrations and inadequacies related to menstrual cycle education targeting the general public. This hands-on workshop provides participants the opportunity to contribute to designing effective public health education messaging grounded in health education theory and strategies which address the importance of menstruation to girls’s and women’s health and well-being.

Building Better Solutions for Monitoring and Evaluation in Menstrual Hygiene Management
Presenters from Pasand (USA), @PasandTeam, Pasand on Facebook:
Rebecca Scharfstein, Co-Founder and Executive Director
Ashley Eberhart, Co-Founder and Director of Marketing
Allison Behringer, Director of Partnerships
Lacy Clark, Monitoring & Evaluation Project Lead, MBA Intern

According to often-cited data, 88% of women do not have access to sanitary protection (instead using “cloth, husks, mud, and ash”), and 23% percent of girls drop out of school upon menarche. In the field, however, questions come to mind, such as: “Who are these women using rags because we can’t find them!” While shocking statistics about menstrual hygiene management have been used successfully in recent years to generate an unprecedented level of interest in the topic, how can we avoid inflammatory statements, recognize geographical and socioeconomic nuances, and develop quantitative rigor in a relatively new field?

In this workshop, participants will discuss challenges in monitoring and evaluation in the menstrual hygiene management sector through an interactive human-centered design workshop approach. We will use Pasand, a social venture that partners with schools and NGOs in India to teach women’s health and provide access to affordable sanitary protection, as a case study and present four challenges the organization faces with respect to data collection.

Participants will be divided into facilitated “challenge teams,” each assigned with the task of collaboratively identifying solution(s) to one of the challenges presented. At the end of the session, groups will share their solutions, and individuals will come away with a deeper understanding of effective monitoring and evaluation in the sector, as well as new ideas that can be implemented in their own work.

In the days following the conference, Pasand will compile a summary of the ideas and major themes coming out of the workshop and send to participants so that they can take the results back to their own organizations, expanding the reach beyond the walls of the workshop.

Media Release and Registration for the SMCR Boston Conference on Menstrual Health and Reproductive Justice: Human Rights Across the Lifespan. 

“Widening the Cycle” Featured Artist Trio: Dragoon, Gonzalez & Rouncefield

May 13th, 2015 by Jen Lewis

“Power” by Stephanie Dragoon

 

Stephanie Dragoon

Menstrual paintings challenge traditional conceptions of art. It is an invitation to see the value and depth of the body, to create meaning where mainstream discourse allocates shame or silence. This series incorporates statements from Bikini Kill’s Riot Grrrl Manifesto (1991) and personal pieces inspired by powerful women and period positivity.

 

 

 

 

“Hybrid I” by Suzy Gonzalez

 

 

Suzy Gonzalez

To consider menstrual blood an art medium is to acknowledge its natural pigmented elements. It is to praise the menstrual cycle as a means for creativity rather than anxiety. Human and animal bodily objects such as hair, feathers, and blood can be found in my work as an exploration of detachment. Once they’re separated from the being, these materials become purely object. Blood tends to represent outcomes of violence, yet there is tranquility involved in the release of menstruation. I am particularly captivated by the correlation of those beings who bleed cyclically and those who bleed forcefully. I hybridize fragments of humans, animals, and objects into impossible creatures who live in a world that knows no binary. Using the same palette amongst forms allows the dismembered limbs to form a newly birthed being.

 

 

 

 

“She’s Got the Painters In” by Suzy Gonzalez

 

Mary Rouncefield

These images all feature the use of watercolour which has been allowed to flow and take its own direction, with minimum intervention from myself. I felt that this was appropriate as menstruation is a natural process which takes its own course. Four of the images are framed in an enclosed ‘womb-like’ space, with random flows of paint and water encircling other elements. My least favourite image is ‘She’s Got The Painters In’; but it illustrates an expression from Northern England- which I myself have only ever heard said by men (usually with a snigger). I decided to ‘re-appropriate’ this expression by making the ‘painters’ female rather than male. In the other images I have tried to portray a more ‘dream-like’ state with more positive connotations. It annoys me that men generally tend to ridicule women experiencing menstruation – yet without that process, new life could not be generated. Image 4: ‘Duality’ represents both the ‘glamorous’ side of being a woman and the more uncomfortable processes of menstruation and child birth.

 

 

For more information, visit www.wideningthecycle.com. For questions, please email the curator and exhibit planner, Jen Lewis, at info [at] wideningthecycle [dot] com.

 

“Widening the Cycle” Featured Artist Trio: Larson, Seemel & The Exquisite Uterus Project

May 6th, 2015 by Jen Lewis

The Official Flag of The Exquisite Uterus Project; Artist Jeni Mokren; On loan from the collection of Helen Klebesadel

The Exquisite Uterus: The Art of Resistance

It is a fabulous collection of fiber based artworks that have been created to give voice to shared outrage at ongoing attacks on access to good and affordable reproductive healthcare for all women.  Started in early 2012 in reaction to the what is still being called the most current ‘War on Women,’ two artists, known notorious Feminists, and sometime curators Helen Klebesadel and Alison Gates decided to facilitate a collaborative art project to channel their shared outrage at the attacks on women’s ready access to quality general and reproductive health care of their choice.

Interested artists and other motivated participants are again asked to embellish a plain cloth uterus “blank” (a square of organic white cotton canvas fabric with a simple black and gray medical illustration of a female reproductive system printed permanently on its surface.) Final works should be approximately 13″ square.  Participation is free except for the cost of purchasing the organic cotton canvas uterus and mailing.

Participants are invited to manipulate the blank uterus in any way their fertile imaginations desire, making their prodigious powers of self-expression and creativity obvious to all.

Alison and Helen only ask that you don’t take your uterus for granted.  Claim it! Have fun with it but take your control of your own personal uterus very seriously.

“It is your X#%@# uterus!  Do whatever you want with it.”

 

“Women’s Troubles” by Jessica Larson

Jessica Larson

Combining interests in anthropology, abstraction, and Kiki Smith’s art involving the female body, artist Jessica Larson’s new series mines issues of taboos and attraction versus repulsion. Turning the traditional concept of embroidery work on its head, Woman Troubles begs the question, “Can something be so ugly that it’s beautiful?”

These stitches are working to say something that feels far from the traditional, polite embroidery of the past. Embroidery techniques have been used to “prettify” textiles, yet the less attractive topic of menstrual cycles conflicts with one’s automatic association with embroidery.

Larson’s imagery uses the common language of menstruation—so common that upon viewing, women respond to individual pads with the exclamation, “I’ve had that one”—to facilitate a public conversation about a private topic.

Although the individual pieces may be similar, there is a compulsion to see meaning into them. Akin to reading tarot cards, we may contemplate their messages to better understand the divinations of the female body. It is a funny, absurd exercise, imagining a world where the blood tells your fortune.

 

“The Kiss (Bonobo)” from Crime Against Nature by Gwenn Seemel

Gwenn Seemel

I always assumed that I would have children one day. It wasn’t something that I felt strongly about, but I did think I would doit. Then, a few years ago, I was diagnosed with endometriosis, a disease that often causes infertility. Suddenly the future I hadn’t cared much about seemed important. The maybe-never of it put me in a should-I-even-try frame of mind.

I’d been told that the urge to reproduce is primordial, so I turned to nature to look for the origins of our baby-making obsession. To begin with, all I found was the animal version of “first comes love, then comes marriage, then comes the baby in the baby carriage.” But eventually I began to understand that the scientists who described animal behavior could be as stuck in a nursery rhyme version of normalcy as me, and I began to find scientists who weren’t.

As I research, I broadened my question. I could see that this was really about all the things that we think women and men have to do in order to be natural.

For all my investigating, I still couldn’t control whether or not I can have children, but I could decide to have a children’s book, and so I did. Crime Against Nature is that book and it includes these paintings among others. It’s meant for the kid in all of us: the person who hasn’t yet felt the pressure to conform, the one who still sees the infinite possibilities of being.

 

For more information, visit www.wideningthecycle.com. For questions, please email the curator and exhibit planner, Jen Lewis, at info [at] wideningthecycle [dot] com.

How Menstrual Rights and Rites of Passage Support Menstrual Health and Reproductive Justice

May 4th, 2015 by Laura Wershler

Experience community vision sharing and explore the potential of ritual and ceremony in two workshops at the 21st Biennial Conference of the Society for Menstrual Cycle Research at The Center for Women’s Health and Human Rights, June 4-6, 2015, Suffolk University, Boston

Bodystorm: A Menstrual Rights Embodied Visioning Council, June 5th
Roxanne Partridge, MA, Certified Clinical Hypnotherapist, PhD candidate-Pacifica Graduate Institute, @embodyperiod

Bodystorm is a guided brainstorming session with intuitive, interactive, and embodied exploration, provided in a space of expression, deep listening, collective visioning, and movement. Inspired by the community gathering that is the SMCR conference, this workshop welcomes members to come together in a practice of embodied imagination. Rooted in both liberation and depth psychologies, I weave Jack Zimmerman’s Way of Council and Augusto Boal’s Theatre of the Oppressed into an embodied visioning council. In this collaborative space we shall tend the problem of embodied representation of menstrual health and reproductive justice.

Council enacts the sacred practice of a community talking-circle. A vulva puppet talking-stick will be passed around the circle and each council member may respond to opening rounds of questions to heighten connection and intention. Then, the vulva-stick will be placed in the center to be picked up and responded with in a more irregular fashion. Heart-centered expression and listening, spontaneity, and movement welcome collaborative re-visioning, witnessing, and generative interruptions of our habitual positions.

Informed by Boal’s image theatre technique, council members will be asked to sculpt their bodies into images that respond to prompts such as: what menstrual health is like, a menstrual dream image they’ve had, an experience of reproductive justice, relevant questions in the moment, or to mirror an image put forth by another participant. These wordless expressions privilege the images and voices of the body, widen the traditional verbal nature of council, and give flesh and blood to our ideas.

As council leader, I will facilitate the council structure, questions, responses to bodystorm group process, and closing ritual.

Participants will gain an experiential introduction to a practice of community vision sharing and an opportunity to enrich the dream of menstrual health and reproductive justice as a human right, through collaborative embodied imagination.

Rights of Passage: Reclaiming Women’s Rites, June 6th
Giuliana Serena, Ceremonialist, Menstrual Cycle Educator, Moontime Rising

Weaving A Red Web by Giuliana Serena

This workshop will explore examples of modern pan-cultural rites-of-passage for women’s blood mysteries. Participants will be invited to look at their experience of womanhood, identify key rites-of-passage that may or may not have been acknowledged in their own lives—and those of their loved-ones—and gain a new perspective on the potential for ritual and ceremony to increase the awareness of the value of menstrual health and wellness for those worldwide. This session is designed to be relevant and welcoming to those of all faiths, persuasions, and backgrounds.

Rites of Passage, the ceremonial acknowledgement of the crucial transitions in the lives of individuals, families, and communities, have been practiced since the beginning of civilization, and the blood rites, those relating to fertility, menarche, menstruation, pregnancy, birth, miscarriage, and menopause, are among the most ancient. In the modern day, these rites have been largely forgotten, with the exception of some traditional cultures. However, we are now experiencing a surge of interest and enthusiasm for the reclamation and re-imagination of these rites, as is evidenced by the growing menstrual empowerment movement in the west.

Rites of Passage used to be considered “rights” of the people. In keeping with the theme of the conference, Menstrual Health and Reproductive Justice: Human Rights Across the Lifespan, Giuliana suggests that these rites of passage do, in fact, offer a powerful way to support menstrual health and reproductive justice, by providing spiritual and practical preparation, support, and celebration of life transitions.

Media Release and Registration for the SMCR Boston Conference.

Readers should note that statements published in re: Cycling are those of individual authors and do not necessarily reflect the positions of the Society as a whole.