Blog of the Society for Menstrual Cycle Research

Our Bodies Our Blood – Group Art Show – Halifax, NS

September 8th, 2015 by Jen Lewis


Our Bodies Our Blood

Now through September 30

Plan B Gallery

2180 Gottingen Street

Halifax, Nova Scotia

For more information about events visit


As we saw with Widening the Cycle at #SMCR2015, art has the ability to play a powerful role in social activism, especially with regards to menstruation. Earlier this month a group art show opened in Halifax, Nova Scotia dedicated to exploring the complex role menstruation plays in our lives. The Our Bodies Our Blood exhibit will be on display all month long and is accompanied by weekly artist talks, menstruation-related lectures (i.e. FAM, sustainable products, etc.) and  the “Blood Fund,” a fundraiser seeking to help low income/financially unstable menstruators secure the products they need. In addition to visual art, Our Bodies Our Blood has a community blog component encouraging people to share their first period stories.

About the show:

The purpose of this project is to create a safe space to share our experiences with menstruation through art and conversation. By creating a space to share and learn, we start to create community. We hope to spread awareness about the environmental, social and political relevance of menstruation, and how it is something we need to start talking about.

This project was inspired by multiple discussions with menstruating folks who felt that it is important to know your body and to take charge of your menstrual health. It all started when I (Alanah Correia) tagged along with a friend to a fertility awareness workshop. She was very interested in the topic, and as for me, I didn’t know what I was getting into! What I took away most from it was how important it is to have safe spaces to talk about, and learn about menstruation.

Continued at


Flibanserin is NOT “female Viagra” and here’s why

July 30th, 2015 by Laura Wershler

If you’ve been hearing about the “female Viagra” drug Flibanserin in the media over the past couple of months and wonder what it’s all about, Dr. Aaron Carroll at Healthcare Triage sets the record straight and tells you everything you need to know about Flibanserin in this seven-minute video.

To quote Dr. Carroll, “The two drugs aren’t even close to the same thing.” He asks the media and others to stop calling Flibanserin the “female Viagra.” He says, “It makes pharmacology nerds very, very unhappy when you do that.”


For one, Viagra is taken on an as needed basis and does not work if the man is not already sexually aroused. Flibanserin is intended for daily use by premenopausal women and affects the brain, supposedly, to increase feelings of sexual desire. Side effects include, says Dr Carroll, “marked sedation, somnolence and fatigue,” and are made worse in those who consume alcohol.

The video provides need-to-know information because the U.S. Food and Drug Administration is leaning towards approving Flibanserin this summer. Though twice rejected by the FDA, an aggressive public relations campaign spearheaded by drug owner Sprout Pharmaceuticals has resulted in a recommendation to the FDA to approve the drug with risk management options. A letter to the FDA signed by Leonore Tiefer, PhD, of the New View Campaign and over 100 other concerned health experts, sex researchers and clinicians urging them to reject approval of flibanserin explains the many problems with the drug. Here’s what the letter says about Flibanserin and alcohol:

We will leave the topic of flibanserin’s safety to others, except for mentioning the truly absurd situation of approving a daily drug to boost the sex lives of women in their 30s and 40s that must not be taken with alcohol. As sexologists we can say with confidence that this advice is both preposterous and doomed.

The New View Campaign also wrote a song advocating that women and the FDA Throw That Pink Pill Away:














The Society for Menstrual Cycle Research added its voice to those opposing FDA approval of Flibanserin by passing the following resolution in June at its 2015 Biennial conference in Boston, MA:

The Society for Menstrual Cycle Research regrets the recommendation by the Bone, Reproductive, and Urologic Advisory Committee and the Drug Safety and Risk Management Advisory Committee on June 4, 2015 that Flibanserin be approved with risk management options. The discussion after the vote was recorded made it clear that even those in favor had serious reservations about the efficacy and safety of the drug. We believe that women want safe and effective options, not unsafe and ineffective medications. Therefore, we urge the U.S. Food and Drug Administration to override the Advisory Committees’ decision and reject this drug.

NOTE: This post was updated on July 30, 2015 at 12:55 p.m. EST with the addition of the song.

Menstrual Prose Poem from #SMCR2015: “My feet flow through each cycle.”

July 20th, 2015 by Laura Wershler

On June 6th, 2015, at the 21st Biennial Conference of the Society for Menstrual Cycle Research at the Centre for Women’s Health and Human Rights in Boston, conference participants celebrated with an Open Mic evening of Menstrual Poetry to close out #SMCR2015. This is the last in a series of posts at re:Cycling that aims to give a broader audience to some of the poetry performed that evening.


Flow – by Rosie Sheb’a

Sustainable Cycles cyclists Rachel, Olive and Rosie in Atlanta, Georgia, en route to the Society for Menstrual Cycle Research conference held in Boston, June 4-6, 2015.

Flow. My feet flow through each cycle. Every revolution takes me further into the cycle. Life cycle. Bicycle. Upcycle. Recycle.

My small wheels move along the road, a mirror to the larger wheel of which I am a tiny, insignificant, and yet pivotal part. My essence is essential to the whole. The microcosm of my womb reflects the entire universe!

I look at my legs powering my bicycle across state after state. I watch as I bleed and listen to my body as my ovulation is reflected by the road. My menstrual cycle is a perfect replica of the seasons, of the stages from egg to caterpillar, to pupa, to butterfly. The Earth rotates around the sun, just as my pedals rotate around my crank shaft, and foot by foot, mile by mile, I move forward. We move forward. Propelled by our destiny as cyclists. Life Cyclists.

We cycle, and millennia of oppression melts away. We are part of something immense. Individually, we are just a tiny cog in the giant clock of evolution, but together, we can say menstruation. Period. I bleed. You bleed. We were, are and will be bleeders. Without our blood, life as we know it would not be. Cycling, together, we conquer fear. We surmount shame.

Sustainable cycles? It’s a pun about bikes and periods, but it’s so much more than that. Our message is clear. Love your cycle. Love the cycle. Take care of yourself, and you take care of the planet. Learn about your body, and you will be empowered.

I watch a teenage girl ride her bike through the streets of Philadelphia. Will she have knowledge of her cycle?

I see an old woman on a park bench in New Orleans. Who is learning her life lessons?

A middle aged dame in Texas tells me she doesn’t like “that word” and I wonder. Does her daughter know her – Period?

A transgender man tells of his forgotten tablets and using soft leaves to soak up his accidental summer-camp flow.

So many perspectives from so many places and we’ve only just scratched the surface. So many lessons to learn from our neighbours. Collectively, we have a purpose.

Learn to love. Love to grow as our cycle continues. I watch a playground of children. What world can we envision for them?

A world where we know our bodies? Where we can be ourselves without fear?

A world void of hatred?

Who knows. I am but a tiny wheel on the cycle of life.

Yet one small action can trigger a revolution.

One cycle. One. Cycle. We are in it.

Where do you want to go?

Rosie Sheba is the owner/director of Sustainable Menstruation Australia and rode from Austin to Boston with Sustainable Cycles to present at #SMCR2015. She has a background in evolutionary biology and ecology. Rosie sees positive relationships and experiences of the menstrual cycle as the keystone for the evolutionary survival and success of humanity.

A doc about birth control, #LiveTweetYourPeriod, and other 4th of July weekend links

July 4th, 2015 by Laura Wershler
  • It’s old news that men find women’s faces more attractive when they are fertile, but the facial cues to explain this have eluded researchers. A new study from the University of Cambridge, as reported in the Science Daily, shows that women’s face skin gets redder at the point of peak fertility. However, as this change in face redness is too subtle for the human eye to detect, skin colouration has been ruled out as the reason for this “attractiveness effect.” Dr. Hannah Rowland, who co-led the study, said, “Women don’t advertise ovulation, but they do seem to leak information about it, as studies have shown they are seen as more attractive by men when ovulating.” The mystery continues.

When Elynn Walter walks into a room of officials from global health organizations and governments, this is how she likes to get their attention:

“I’ll say, ‘OK, everyone stand up and yell the word blood!’ or say, ‘Half of the people in the world have their period!’ ”

It’s her way of getting people talking about a topic that a lot of people, well, aren’t comfortable talking about: menstrual hygiene.

Ms. July – Menstruation Pin-Up

July 1st, 2015 by Jen Lewis

Guest Post by Jen Lewis

Beauty in Blood Presents
Ms. July: Truth & Perception
Year: 2015
Menstrual Designer: Jen Lewis
Photographer: Rob Lewis

“Widening the Cycle” Featured Artists & Panel Speakers: Alvarez, Boros, Goldbloom Bloch, Kyle & Madeline

June 3rd, 2015 by Jen Lewis

“Cup of Flow 2″ by Diana Alvarez

Diana Alvarez

I believe my project fulfills the call for art because I use menstrual fluid as the primary source for the art and encouraged participants to confront their discomforts with menstruation. Empowerment was my main goal with the art, both for myself and for menstruators as a whole. The project was called “Cup of Flow” and involved my inviting a group of women over to my home to watch me interact with my menstrual blood and my menstrual cup. I interacted with the blood in a hands-on way that involved touching it, smelling it, wearing it as lipstick, and tasting it. My goal was to push the boundaries of what most of the attendees had probably experienced before. I also used a speculum to allow the attendees to watch me menstruate directly from the cervix, the source. I had accumulated some menstrual blood in a mason jar prior to the event that had coagulated and allowed for the guests to pass it around and examine it. The menstrual cup was an important element because we took the conversation into a broader spectrum of environmentalism. Everyone was allowed to take pictures and post to social media using the hashtag (#cupofflow). The images were flagged by Facebook users as “obscene,” but when threatened to have them removed we launched a formal complaint asking Facebook to reconsider by explaining that menstrual blood is natural and not trauma induced. The pictures ultimately remained posted to the website. In the revolution there will be blood!


“Niddah: The Curses” by Gabriella Boros

Gabriella Boros

Niddah: The topic of female victimaztion has been covered in the news with alarming frequency in the past year. This provoked me to turn to my own religious roots and learn about the Judaic tradition of Niddah, the14 day separation of women during and after menstruation. In traditional homes, women cannot have contact with their husbands nor participate in religious observation during Niddah. In this project, I project both the negativity that is inherent in the Talmudic view of women’s cycles as well as my own ambivalence to the bodily process.

Niddah: Seven Days: Over the course of seven panels an overprinted image emerges both reaching out and inaccessible. The last print shows a complete hand in black against a watery background, a visual reference to the tradition of ritual immersion that marks the completion of Niddah.

The Women Series: I reflect on how traditional women experience societal exclusion during their periods. The ghostlike images roughly flesh out each woman’s shape, their presence described by their absence. I gave these women a strong stance, unafraid and proud, yet their isolation is undeniable. Whether the isolation is societal or self-imposed it is unclear.

The Curses: These embroidered depictions show some of the physical manifestations of menstruants. The banners refer to a family coat of arms which displays negative sideffects with the pride that one hangs a family crest. At the bottom of every banner are bdikah cloths painted with abstractions. These are used by Jewish women to check for purity in the seven days following menses.

“Feminine Protection” by Ingrid Goldbloom Bloch

Ingrid Goldbloom Bloch

I love hardware stores. As a little girl, I would accompany my father on his errands and get lost in the aisles imagining all the things I could make from the bits and pieces I came across. Since that time, hardware stores have been the inspiration for many of the mixed-media sculptures I create. I see the beauty in common objects. Each bit and piece is a mini-sculpture to me. The shape of each singular object, the texture and the transformation of grouping small bits into a larger whole is what drives my art. By using everyday items and transforming them into something entirely different from their intended purpose, I try to draw the viewer in to take a closer look at materials and objects that ordinarily go unnoticed.

“Imbibe” by Lucy Madeline


Lucy Madeline

At the root of all my work is a fundamental belief in the power of image and an understanding of the body as the primary site of knowing the world. I see images and image making as a practice in magic as much as theory: I have found that by simply re-appropriating the female form through my work, I am able to simultaneously re-appropriate the female experience. I take back both personal cultural space through the making of alternative images of the abstract and literal female figure.

Menstrual management for women with disabilities, menstrual hygiene taboos, and menstrual cycle awareness

May 28th, 2015 by Laura Wershler

These two concurrent sessions address the menstrual-related challenges of women with disabilities, menstrual hygiene taboos and practices around the world,  and the concept of gynaecological self-help at the 21st Biennial Conference of the Society for Menstrual Cycle Research at The Center for Women’s Health and Human Rights, June 4-6, 2015, Suffolk University, Boston.


Menstrual Management, Friday, June 5th:

Women with Spinal Cord Injuries Talk about Menopause
Heather Dillaway, Wayne State University

Using data from interviews with 20 women with spinal cord injury, I illustrate how disabled women may think about and experience menopause. Overall, interviewees think positively about menopause as a release from the hassles of menstruation, but face unique experiences when dealing with perimenopausal symptoms. I also discuss their concerns about aging.

“Kahani Her Mahine Ki” – A Menstruation Kit for the visually impaired women
Sadhvi Thukral, National Institute of Design

“I am constantly worried that my dress will stain during my period, I cannot see.”

“I will never be able to tell the colour of my discharge during menstruation or when I need to change my cloth. To be safe, I change every few hours.”

These are unique anxieties of visually impaired young women.

A large gap exists in the area of “Communication for Menstruation” for the visually impaired. This design degree project was an attempt to fill this gap by developing a product for menstruation that would meet the needs of visually impaired girls and women.

The kit “Kahani Her Mahine Ki” (The Same Story Every Month) covers the subject of menstruation and how to manage during periods and has the following features:

1. Tactile diagrams and material in the form of Information Slates, with labels of the different body parts. Each slate has text for the sighted and Braille for the visually impaired. 2. A life size human body model for demonstration.

What they do, what we do, what I do: A critical review of five contemporary international surveys of menstrual management practices and technologies. How can these surveys inform Western practice? What areas remain to be surveyed?
Susannah Clemence, Independent researcher

This critical review compares the catalogues of contemporary menstrual management techniques from around the World, presented in Sommer et al (2013), House et al (2012), Kjellen et al (2012), Bharadwai and Patkar (2004) and Finley’s (1995-2015) Museum of Menstruation.

The purpose is to test how well-documented are contemporary practices across the World, and what areas remain yet unrecorded. The rationale is that diverse technologies and conduct, with their implicit beliefs and attitudes, grant us reference points from which to examine, critique and improve our own practices.

The review shows that there are large gaps in documented knowledge. Furthermore, other than the Museum of Menstruation, existing surveys tend to be rooted in development agendas of Western origin and tend to a deficit perspective of non-Western practices.


Menstrual Hygiene, Saturday, June 6th

A Vicious Cycle of Silence: The perpetuation of the menstrual hygiene ‘taboo’ and the implications for the realisation of the human rights of women and girls
Emily Wilson-Smith, Kampala International University & Robyn Boosey, University of Bristol 

Despite the impact of poor menstrual hygiene on the rights of women and girls it has remained largely neglected by International stakeholders. A document analysis of the core international human rights treaties and relevant human rights body reports found an overwhelming silence and an analysis of the existing references revealed an inadequate framework for addressing menstrual hygiene.

Improving Menstrual Health and Hygiene in India: Another critical path way for women emancipation
K Yadagiri, Centre for Economic and Social Studies,UNICEF Division for Child Studies 

Gynecological Self-Help Isn’t Just a Good Feeling – What we learned when we systematically studied our own menstrual cycles – and how you can learn MORE now!
Kathy Hodge, Feminist Women’s Health Center

In 1975, nine members of the Feminist Women’s Health Center collective met daily for over a month, recording changes in our vaginas and cervixes and their secretions, for PAP and ferning smears, charting moods and basal body temperature. We raised questions, some of which remain open and ripe for future woman-controlled research.

 Menstrual Hygiene Management practices in Slums: It’s impacts on the Women and Adolescent Girl’s Health – A Case study of Greater Hyderabad Municipal Corporation Slums, Telangana State, INDIA
Venu Madhav Sharma, Centre for Economic and Social Studies

Media Release and Registration for the SMCR Boston Conference on Menstrual Health and Reproductive Justice: Human Rights Across the Lifespan.

“Widening the Cycle” Featured Artists: Erdem, Lewis, Paul & Weigel

May 27th, 2015 by Jen Lewis

“Forbidden” by Derya Erdem

Derya Erdem

My work takes a critical view of societal, political and cultural issues,  focusing on identity, gender binary and the human mind. Reflecting the emotional dimensions of personal memories, collected histories, and cultural myths, I constantly search for new possibilities, thriving on chance outcomes and the connections (physical and virtual) that link nature and the overlooked realities of our lives. As an artist concerned with real life stories, I am affected by those with untold, sometimes overwhelming, hidden perspectives.

These themes are often combined into experimental installations, employing different techniques which include: video, sound, photography, installation and site specific art. I am a curious artist using diverse exploratory technics, all of which I self produce.

Inspired by repetitive dreams and underpinned by memories , driven by my understanding of the female conditions and the manifestation of injustice in patriarchy, the issues of woman’s social and sexual conditioning have all formed the foundation of my current work.

Surreal quality images, revealing glimpses of potential possibilities, what latently exists in nature, suggesting different views of our external world, inviting the viewer to move into a space of speculation.


“The Crimson Wave” by Jen Lewis

Jen Lewis

If I have learned anything over the last two years of producing Beauty in Blood, it is that menstruation matters more than most people in society are willing to recognize; it is deeply embedded in our global body politics and is a major contributor to the vast gender inequity between men and women today. Institutionalized hierarchies maintain and support the outdated patriarchal belief that menstruation makes the female body inferior to the male body. Billions of dollars are spent annually trying to make women’s bodies conform to male “norms” by suppressing the natural menstrual cycle through hormonal birth control. The feminine “hygiene” industry perpetuates taboo thinking by suggesting the monthly cycle is dirty and socially impolite; it should be concealed in frilly pink wrappers like candy and only very loosely referenced with blue liquid in product commercials. In my experience, women and men are hungry for an authentic dialogue about menstruation and all that encompasses. It is clear the time is now to stand up and speak out on behalf of menstruation. It is a natural, messy but beautiful part of life. Just because it is not a shared experience doesn’t mean it needs to be a divisive topic that aids in gender inequity. Beauty in Blood asserts that menstruation needs to be seen to help normalize the female body and to acknowledge this part of the female experience by inviting the viewer to take a closer look and reflect on their personal gut reactions to the subject of “menstruation.”


“Hidden Abject” by Petra Paul

Petra Paul

Menstruarte – Showing the Abjection

As feminist I’m concerned primarily with woman as a theme, or the showing of the ways women are discriminated against in this patriarchal society. Menstruation is a stigmatic condition (Erving Goffman). Women are regarded as of lesser value, as the Other (Simone de Beauvoir). I’m concerned with showing this mechanism and at the same time with undermining it.

By using menstrual blood in my informel and monochrome work, I draw attention to the negative taboo and publicly show something that is usually kept secret – everything is done to make the time of menstruation as invisible as possible. Cleanliness and discretion are foremost. The leaking women were seen as unclean, and the unpure blood contrasted with the masculine, healing blood of Christ. So I called a serie of menstruation pictures „That’s the blood I’ve spilled for you”, the other simply “Menstruarte”. “Hidden Abject” shows blood through a small cut in the canvas. I try first through the completed abstract structure of the menstrual blood to make the viewer aware of the theme, and second, I use the aesthetic work to reverse the negative value. Menstrual blood is abject: “Not me. Not that. But not nothing, either” (Julia Kristeva).


“The Party” by Jennifer Weigel

Jennifer Weigel

I first began creating artworks incorporating menstrual fluid in 2005, pressing my menstrual vagina to watercolor paper each morning to make a series of monoprints.  My purpose in producing and exhibiting these works was to confront the taboo associated with menstruation, demystify this natural function of the female body, and promote thought-provoking discussion among women & men, artists & non-artists alike.

After exhibiting these pieces, I curated a St. Louis based exhibition, entitled Life Blood Exhibit, which traveled throughout the city and to Cape Girardeau, MO from 2011 – 2012.  I have also continued to explore female reproductive health, with artworks themed around celebrating women’s bodies to addressing health concerns (my own and others’) to the political and social arena (abortion, birth control, the confiscation of tampons at a July 2013 Texas legislative meeting…).

Culture, menstrual narratives, and the messy politics of reproductive freedom

May 23rd, 2015 by Laura Wershler

Two workshops explore the menstrual health/awareness and reproductive justice connection on Saturday, June 6th at  at the 21st Biennial Conference of the Society for Menstrual Cycle Research at The Center for Women’s Health and Human Rights, June 4-6, 2015, Suffolk University, Boston.

POLITICS IS A MESSY BUSINESS: Menstrual Health, Reproductive Health Advocacy, Human Rights and Justice
Sharon L. Powell, Artist and Educator, S L Powell Public Affairs Services

Original image by Sharon L. Powell

Menstruation is part of the spectrum of reproductive health. Menstruation and menstrual cycle discourse takes up space as marker in the health and identity of female bodied individuals as well as in constructions of fertility. As such, it is on a reproductive health advocacy agenda. Menstrual health and menstrual health education are cornerstones of a reproductive health advocacy framework. Human rights and social justice movements concerned with self determination, health, human dignity, privacy, and bodily integrity, should pay political attention to menstrual health’s crucial and complicated place in an interdependent web of reproductive health concerns.

Social and chemical control of fertility is specifically connected to the hormones associated with the menstrual cycle. Menstrual shame. Hysteria. Sexualization. Contraceptive and other reproductive technologies. How does one truly consent to the use of reproductive innovations like hormonal birth control if they do not understand the hormonal patterns they are born with or acquire? Reproductive justice groups and reproductive health advocates must look at issues of self determination with an intersectional lens, acknowledging female bodied individuals’s multiplicity. It is important to explore and create opportunities for female bodied individuals to learn more about their bodies, not just lobby for abstract concepts of reproductive freedom.

Twenty years ago, I presented a paper at the Society’s conference in Montreal, Canada called “Better Dead Than Pregnant: Trends in Contraception – A Case for Menstruation Education.” Connecting my critiques of trends in non-user/”woman” controlled methods of contraception with myths of inconvenience regarding menstruation and convenience regarding methods of contraception, I made connections to the messy politics of reproductive freedom, the differences in the experiences for women of color, women with disabilities, and poor women with this focus on menstruation and the menstrual cycle. My contention that women from these communities were “better dead than pregnant” was picked up by other reproductive rights activists (such as Andrea Smith in her book Conquest). Subsequently, Malcolm Gladwell’s article, “John Rock’s Error, ” detailed how a myth of inconvenience regarding menstruation may have played a role in the development of the oral contraceptive pill.

Our Bodies, Our Stories: Celebrating the Menstrual Narratives of Womanhood
Deborah Dauda, LEPA & Kirthi Jayakumar, Red Elephant Fund

This workshop will look at culture and menstruation by sharing stories and testimonies of women from all over the world and the impact of open conversations in creating comfortable spaces for women to celebrate their womanhood through menstruation. In addition, we will welcome participants to share their own testimonies and stories, along with a session on simple “what-if” scenarios to encourage community conduct and resource sharing.

Media Release and Registration for the SMCR Boston Conference on Menstrual Health and Reproductive Justice: Human Rights Across the Lifespan.

“Widening the Cycle” Featured Artist Trio: Falzone, Marie & Rehavia

May 20th, 2015 by Jen Lewis

“Threaded Together” by Johanna Falzone

Johanna Falzone

Threaded Together is a Site-Specific Installation work previously on view at a Howard Johnson Motel. This work symbolizes how all women have a common thread, being through menstruation. Each pad and tampon is stitched differently to show how each woman may feel about this cycle. Images range from loving, reproductive, to squiggle blobs interpreting these impressions on what menstruation symbolizes. The installation was placed with the toilet because this is where women go to change tampons and pads. The toilet is also where fortunate or unfortunate reproductive events may take place such as miscarriage or using a pregnancy test. No matter how a woman feels about reproduction, this is a cycle women all have in common. It is why women must empathize with one another and also celebrate despite what one’s personal beliefs may be.



“Death of Fertility” by Elaine Marie

Elaine Marie

Death of Fertility is part of the Talitha Cumi series. This painting is about menopause and the end of procreation. The woman in this painting ponders her reproductive years. The fertility doll, anthurium flower, stagnant water, Sande statue, and grass skirt provide clues to the hidden messages in the painting. The fertility doll represents the years I spent battling infertility prior to the birth of my son. The anthurium flower blooms in Hawaii where I lived immediately after my marriage. It represents the birth of my first born. The stagnant red water represents menopause. The African statues on the left are from the Sande Society. The Sande Society promotes women’s’ political and social status and solidarity. Inspired by Surrealist and Symbolist art, the painting is infused with other symbols the viewer must interpret and discover.


“Cutting” by Dafna Rehavia


Dafna Rehavia

I am an Israeli-born artist and art-therapist, living in Pittsburgh PA, US.

My work is informed by a critical, feminist, and multicultural approach.  I deal with themes that are related to survivalidentity and healing, and their complex relationship to women’s experience. Through my art work Cutting I challenge the objectified and dehumanized phenomenon of Female Genital Mutilation that is still practiced in various cultures which respond to authoritative discourse. It is through the artistic object that I would like to bring recognition, awareness and visibility to what is a fundamental violation of womens’ bodies and rights. The use of art exposes the viewer to what is so hard to face and tolerate.  This body of works is made of molding clay that was kneaded, shaped, pocked, cut and stitched with dry leaves and strings and stained in reddish-brown tint.




For more information, visit For questions, please email the curator and exhibit planner, Jen Lewis, at info [at] wideningthecycle [dot] com.

Readers should note that statements published in re: Cycling are those of individual authors and do not necessarily reflect the positions of the Society as a whole.