Dear Readers: The following post first appeared on July 25, 2012, during the media think-piece flurry over the soaring popularity of E.L James’s Fifty Shades of Grey trilogy. With the movie opening on Valentine’s Day, 2015, I can’t wait to find out if or how Depo-Provera is referenced as the contraceptive choice made for heroine Anastasia Steele by ob-gyn Dr. Greene, a character I have confirmed via IMDb is in the movie. I argued in the post that Depo-Provera as Ana’s birth control method was an unrealistic plot device. Commentary on Fifty Shades has again started to snowball, but I doubt anyone besides myself will have the slightest interest in this facet of the story. I invite readers who get to the theater before I do to report back in the comments section.
Menstrual Considerations in Fifty Shades of Grey
Fine literary fiction it is not, but the Fifty Shades of Grey trilogy by E.L. James can certainly claim to be libido-boosting storytelling. Deirdre Donahue at USA Today summarized the books’ appeal in 10 reasons ‘Fifty Shades of Grey’ has shackled readers. She pretty much nailed it. And she’s read the books, which is more than can be said for other writers, including this one who implied that heroine Anastasia (Ana) Steele signs a contract to become hero Christian Grey’s submissive in a BDSM relationship. She doesn’t.
Until he meets Ana, Christian’s sexual history has included only BDSM relationships, those involving bondage, discipline, dominance, submission and sadomasochism. BDSM plays a role in their love story, but the most sadistic thing that Ana submits to is a shot of Depo-Provera. re:Cycling readers know what I think of this contraceptive: I. Am. Not. A. Fan.
As a menstrual cycle advocate, I pay attention to menstrual mentions wherever they appear. It was impossible for me NOT to hone in on how James handles menstruation and birth control.
Christian quickly ascertains that Ana, a virgin when he meets her, is not using birth control. (His unflinching communication about sexuality is one of the books’ most appealing aspects.) As their sexual affair begins, he uses condoms. Within a week or so he asks when her period is due and says, “You need to sort out some contraception”. But our hero is a rich control freak, so he arranges for “the best ob-gyn in Seattle” to come to his home on a Sunday afternoon. Ana, the narrator:
“After a thorough examination and lengthy discussion, Dr. Greene and I decide on the mini pill. She writes me a prepaid prescription and instructs me to pick the pills up tomorrow. I love her no-nonsense attitude — she has lectured me until she’s as blue as her dress about taking it at the same time every day.”
Alas, Anastasia, just 21, is the perfect example for why researchers with the Contraceptive CHOICE Project are recommending that women under 21 use long-acting reversible contraceptive methods. She forgets to keep taking her pills when she and Christian briefly break up. It’s back to condoms for this couple, until Dr. Greene reappears, confirms Ana is not pregnant, and, after Depo-Provera’s side effects are dismissed as irrelevant because “the side effects of a child are far-reaching and go on for years,” gives her the shot. I almost had to stop reading.
I get it that James uses Depo-Provera as a plot device, as becomes apparent. But the author’s decision to give Ana Depo-Provera is not in keeping with either Dr. Greene’s or Christian’s characters. I don’t believe for one minute that the best ob-gyn in Seattle would give Depo-Provera to any patient; she’d recommend a Mirena IUD. As for control-freak Christian, he is adamantly committed to Anastasia’s safety, evidenced in many ways. He would never consent to her taking a drug with these potential side effects: weight gain, digestive problems, depression, loss of bone density, vaginal dryness, and — especially — loss of sexual sensitivity and desire. Never! And he’s too smart not to know this.
Christian’s occasionally expressed distaste for condoms also seems to be a plot device considering he uses them so skillfully, and without obvious diminishment to either his or Ana’s pleasure, through 986 pages of the 1594-page trilogy. The tearing of foil condom packets is a leitmotif that in no way hinders this man’s exceptional “sexing skills.”
Guest Post by Dana Michelle Gillespie
Editor’s Note: This blog cross-posted from Pole World News.
Pole dancing has quickly become one of the most internationally sought after fitness, sports, and art forms in the world. The pole movement craze is a rapidly growing industry where whole multi-million dollar enterprises and careers have successfully been built. Pole dancing is no stranger to media attention either. The 2010 IPDFA Championship Competition was covered by more than 4000 media outlets in over 120 countries. And it’s celebrity following is similar to that of a female Golden Globes party: Oprah, Marisa Tomei, Cindy Crawford, Heidi Klum, Teri Hatcher, Carmen Electrica, Kim Kardashian, Miley Cyrus, Lana Del Rey, and Britney Spears — just to name a few.
The love and lure to this beautiful and physically demanding activity can not only bring some bruises and strains to the body but can also be challenging on an emotional and mental level as well. Ask most any pole dancer and you’ll hear an almost addiction type response to their love and enthusiasm of pole dancing. As a female pole dancer — knowing your body is not only an asset but a necessity. And knowing what phase of your female hormonal cycle you’re on can greatly increase your capacity to move and perform at your best, at all times. In the past — the female hormonal cycle was commonly associated with “I’m pms-ing” and maybe “I’m on my time of the month.” Quite often, females felt these two phases on some level with regret and frustration as to the supposed limits they imparted. As women continued to soar in not just the pole community, but the world at large — having every available asset to help us soar with grace and ease — was and is essential. The demand on the female body to perform and feel the same way every day is not only quite limiting, harmful, and invalidating — it’s actually a male thought-form and not conducive to our female well-being; especially when you want to live in balance with your own body and allow it to function at it’s highest potential. Expecting it to feel the same way every day is similar to demanding the earth to have only one season, like winter — every day — all year round. If we didn’t have all the seasons to till and prepare the soil perfectly, healthy food would be very challenging, if not unlikely to grow at all, and survival next to impossible. Females have exclusive access to this amazing ever-changing energy cycle that allows us to effortlessly create and give birth naturally. Birth to babies, businesses, dance performances, better relationships — there is no limit to what a female can give birth to.
It just helps knowing and using your own bodies cycles to create it with more effortless ease. As females both individually and collectively are tapping back into their own body cycle’s inherit smartness, now more than ever, women everywhere are beginning to see their female cycle as giving them access to the different, almost ‘super powers,’ throughout the month. Knowing your phases and what phase you’re on cannot only give you a richer, more loving and fulfilling relationship with yourself, it can also give you your best advantage in life. There are 4 phases of the female hormonal cycle. In medical terms they are recognized as: Menstrual Phase, Follicular Phase, Ovulatory Phase, and Luteal Phase. Commonly they are referred to as: Menstruation/Sage Phase, Pre-Ovulation/Maiden Phase, Ovulation/Mother Phase, and Pre-Menstrual/Enchantress Phase. Once you recognize the strengths and abilities of each phase for yourself — it can propel your life forward. There’s no limit to what you can create and enjoy in your life.
Pre-ovulation/Maiden Phase is a time of physical body lightness and dynamic activity. This phase begins when bleeding ends. The mind is ready for creativity and going out into the world and the body is ready for physical stamina. The chemicals and flow of energy in the body have set up this time to be the best time to organize, plan, create, and be sociable, yet get things done. It’s a great time to plan your dance routines, travels, business endeavors, and test new challenging pole tricks and routines. You’re light and outgoing during this phase, like a maiden, and you like to get s*#t done! A Wonder Women cape would be easily acceptable during this phase.
In her novel State of Wonder Ann Patchett explores, among many broad themes, the question: What if there were a drug women could take to extend menstruation and fertility into their seventies? Not evident on the dust jacket, this storyline grabbed the attention of this menstrual cycle advocate.
Set mainly in the jungle of Brazil, the novel revolves around the decades-long research of Dr. Annick Swenson who has kept the location and progression of her research secret from the drug company funding her work with the fictional Lakashi tribe. When a male scientist sent by the drug company to find Dr. Swenson and deliver a message is reported dead, Dr. Marina Singh, a research pharmacologist, becomes the second emissary charged with finding Dr. Swenson and assessing her progress towards the promised drug.
Finding Dr. Swenson is a formidable task, but when she does Marina eventually learns the complex botanical explanation for the Lakashi’s extended fertility, as well as the justifiable reasons why the research location has been so scrupulously protected.
This literary novel, a satisfying read, powerfully renders the mystique of the Amazon jungle, conveying both the wonder and trauma Marina experiences there. For an insightful review of State of Wonder I’d recommend Lydia Millet’s. This series of posts is not a review, but rather commentary on the niggling details related to the extended fertility storyline. Spoiler Alert: Some plot points will be revealed.
After a few weeks in the jungle—the timeline is fuzzy—Marina is invited by two other female researchers to the grove of Martin trees where she observes Lakashi women of all ages scraping tree bark with their teeth, a practices she is told that begins at menarche and is the key to their lifelong fertility.
Marina learns the women chew the bark every five days except when they are menstruating and when they’re pregnant; the bark repulses them from the moment of conception. She is told also that although the women don’t all come to the grove on the same five-day cycle, they’re menstrual periods are “pretty much” synchronous so the researchers “get a few days off every month.” That is, days off from observing them in the grove while taking pin-prick blood samples and collecting cervical mucus swabs to monitor estrogen levels that Dr. Swenson has taught the Lakashi to do themselves with Q-tips. Dr. Swenson’s research team charts and studies every cycle of every menstruating girl and woman.
The researchers tell Marina they also chew the bark and invite her to try it. Here is where, in a story that speaks intimately about the tribal women’s menstrual cycles, I wondered why Patchett did not include even one sentence to acknowledge when Marina had her last period. (At 42 she has thought about her fertility and her prospect of having a child someday.) Because she scrapes the bark one assumes she isn’t menstruating, and she’s been in Brazil long enough–weeks spent in Manaus before getting to the jungle–to have had at least one period. Where is she in her cycle? This matters because of what happens later in the story. So, since menstruation is integral to the novel, why not mention it? And why don’t the other female researchers mention whether their cycles, too, have synchronized with the Lakashi’s?
In most novels, probably too many, the menstrual cycles of female characters are invisible unless they figure prominently in the plot. It made no sense to me that Patchett chose to make Marina’s cycle invisible. Even if readers can deduce this missing information, surely this is the wrong novel in which to require us to do so. Again, I ask, “Why?”
To be continued in State of Wonder—Part 2: Wondering about missing menstrual femcare products and birth control references
The idea that animals (male animals, that is) mark territories with urine streams is well established, particularly in the case of dogs, wolves, and other similar breeds. It seems that men too (notably adolescent boys) engage in some sort of marking practices when it comes to failure to flush urinals or toilets in public (and sometimes domestic) facilities.
A story by Haruki Murakami in a recent New Yorker magazine (Oct. 13, 2014; pg. 100+) depicts a teenage girl who uses a menstrual product as a way of marking territory as well. Murakami’s character is a middle-aged woman in a story titled “Scheherazade” who, in the course of a string of post-coital sharing moments, confides to the narrator a time in her adolescence when she was obsessed with a boy in her high school. Too shy to approach him personally, she would occasionally sneak into his home and peruse the contents of his bedroom. Eventually she stole several of his personal objects – a pencil, soccer insignia, sweaty tee shirt – and leaves something of her own hidden in the back of a drawer or under some old notebooks. In addition to a few strands of her hair, she hides the most personal object she can think of:
“Finally, I decided to leave a tampon behind. An unused one, of course, still in its plastic wrapper. . . . I hid it at the very back of the bottom drawer, where it would be difficult to find. That really turned me on. The fact that a tampon of mine was stashed away in his desk drawer. Maybe it was because I was so turned on that my period started almost immediately after that.”
When she returns to the house on several later trips she always checks to see that the tampon is still in place and delights that it has remained in the boy’s drawer. The tampon comes to be described as “a token” that represents her unrequited crush on the boy who is barely aware of her existence. Eventually she comes to associate her erotic attraction with her menstrual cycle, even thinking about the boy’s masturbation as being compared to her period, “All those sperm had to go somewhere, just as girls had to have periods.” Finally, the boy’s parents discover that someone has been invading their home and change the locks so that her trespasses are ended. But the story’s exploration of the erotic associations of menstrual details is fascinating and fairly rare.
Furthermore, the fact that this is a male author’s take on the topic probably makes it somewhat unreliable even though it claims to be told through the words of a woman’s reminiscences. Readers are invited to respond with mention of other stories that explore both the erotic and territorial marking potential of menstrual products and blood.
For those who have yet to see, the College Republican National Committee has a new advertisement out that is intended to reach women, particularly younger women, to lure their vote for several GOP governors. The advertisement is the same for several governor races, save for the name changes, and the one that is getting the most attention concerns the Florida race between Rick Scott (R) and Charlie Crist (D). The ad is a parody on the popular reality television show Say Yes to the Dress where women try on different wedding dresses and debate the merits of each until they find “the one.” In this case of “Say Yes to Rick Scott,” Brittany, an undecided voter, tries on the “Rick Scott dress” and immediately falls in love with his “new ideas that don’t break your budget.” But Brittany’s mother is not having any of that as she wants Brittany in the “Charlie Crist dress” that is “expensive and a little outdated.”
There are already several write-ups on the stereotypical nature of this advertisement—that it serves the same jaded discourse that all women care about weddings and dresses—and that there could have been a more intelligent way to reach Republican women. What is most interesting is Stephen Colbert’s response to this ad. In typical Colbert fashion, he hilariously rips apart the wedding dress metaphor and decides to contribute an ad of his own: Rick Scott versus Charlie Crist sanitary napkins.
Equating “that time of the month” with mid-term elections, one female in Colbert’s parody is supported by Rick Scott napkins in her “private sector” and is a happy and peppy woman while the other is still using Charlie Crist napkins. Take a look at the side-by-side comparison for the blue liquid that has come to serve as symbolic blood in many advertisements and the mockingly way it is poured on each candidate’s napkin.
What is so great about Colbert’s satire is that he is not only addressing the humor of the “Say Yes to Rick Scott” piece but he is also ridiculing the traditional napkin and tampon advertisements so prevalent on television. Are these the only ways to speak to women? Colbert thinks not and this segment is a testament to that.
Remember, vote for “The Best Candidate—Period!”