Umbra Fisk is a character developed at Grist TV (and performed by Jennifer Prediger) who brings a surprising smile to a movement more familiar with a Green grimace. Her Ask Umbra videos appear often enough to remind us how to bike to work safely or enlighten us on growing food in your apartment. In her latest video, she describes how to make lube from flax seed. As she explains, personal lubricants are loaded with petrochemicals that one might otherwise find in brake fluid and antifreeze. The recipe is as quick and easy as her messages and welcome humor. Thanks Umbra for bringing on the Omega 3’s and helping us all avoid “Toxic Hoo-Ha Syndrome.”
The Eco-Vag: Natural Lubricant with Umbra
February 12th, 2010 by Giovanna CheslerBlood on Screen: MENstruation
November 4th, 2009 by Giovanna CheslerI often hear women state that men would be uncomfortable if they overheard our discussion of menstruation. Many women work to keep men out of the menstruation conversation. But… surprise! Men are ready to participate. And very often, I hear men say that they want to learn more about menstruation. In studies by Jane Ussher and Jane Perz they found that women in lesbian relationships that are more egalitarian, empathetic and satisfying have different PMS experiences than women whose male partners misunderstand their PMS symptoms. That is partially because their lesbian partners understand the experiences of menstruation, even if they do not share the same symptoms. Imagine, straight ladies, if a male partner were also aware of your PMS symptoms through the information you impart? And that through this conversation and hopefully, through different behavior on his part, you could potentially change your PMS experience?
Or…what if he understands those symptoms through his own experience?! Last year, Angelique Smith, then a student at Marymount Manhattan College in a course called Social Construction and Images of Menstruation (co-taught by David Linton and myself) made MENstruation. This video was inspired by Gloria Steinem’s 1978 Ms. Magazine article “What if Men Could Menstruate?”. As Smith asks her participants Steinem’s question, “What if men could menstruate,” their answers reveal much about cross-gender consciousness. It screened as part of the Blood on Screen series at the Spokane SMCR conference.
Blood on Screen: The most popular title for menstrual artwork is…
October 14th, 2009 by Giovanna CheslerThe third film in the Blood on Screen series is Camille Holder Brown’s award winning A Period Piece (2005). I know of at least two other films and one sculptural artwork that use this title. Yet despite the ubiquitous pun, each work has an equally clever take on the cycle (other Period Piece films include a music video by Zeinabu Irene Davis (1991), a documentary by Jennifer Frame and Jay Rosenblatt (1995,) and this installation by LaThoriel Badenhausen which was presented at the SMCR Conference in 2009.)
Camille Holder-Brown’s piece of the cycle is a fictional film portraying the awkward experiences of Sionne, a girl about to begin menstruating. From her earthy sex-ed teacher who gushes about the beauty of the cycle, to her friends and classmates at different stages of menstrual acceptance, to her mother who warmly and carefully introduces her to menstruation, A Period Piece is filled with menses-positive imagery. But Sionne’s overriding fear and her association of menstruation with shame clouds most of the film.
Blood on Screen: Truth or Dare
September 23rd, 2009 by Giovanna Chesler
Truth or Dare (Francois Ozon, 1994)
Surprisingly this isn’t a post on Madonna, but another media artist interested in gender: Francois Ozon. His short film Truth or Dare (1994) welcomes us into the inner circle of four teenagers engaged in the game. As the two boys and two girls challenge each other with “Action” or “Verite” they address and trangress every taboo (sex between children, boys kissing boys, AIDS, girls fondling girls.) Yet one taboo will trump them all!
View a scene from the film here: http://www.francois-ozon.com/en/clip-truth-or-dare
As with most of his work, Ozon manages to engage in taboo with sympathy and emotion. He crafts films that are intimate, inviting the viewer to imagine their own sexual transgression. Screenings of Truth or Dare make a room of viewers squirm and titter with delight as they partake in the pleasure of watching this naughty game. Menstrual activists may not know whether to cheer or boo at the end. That is, of course, Ozon’s wish.


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